A Quote by Arthur Jafa

To me, not every black filmmaker who is making black films is trying to make black cinema. — © Arthur Jafa
To me, not every black filmmaker who is making black films is trying to make black cinema.

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We've been fighting our whole lives to say we're just human beings like everyone else. When we start separating ourselves in our work, that doesn't help the cause. I've heard it for years: 'How do you feel being a black filmmaker?' I'm not a black filmmaker, I'm a filmmaker. I'm a black man, I have black children. But I'm just a filmmaker.
Some black filmmakers will say, "I don't want to be considered a black filmmaker, I'm a filmmaker." I don't think that. I'm a black woman filmmaker.
Expectations that black directors have to make black films about black subject matter are, to me, kind of absurd.
Adults who loved and knew me, on many occasions sat me down and told me that I was black. As you could imagine, this had a profound impact on me and soon became my truth. Every friend I had was black; my girlfriends were black. I was seen as black, treated as black, and endured constant overt racism as a young black teenager.
I think we're used to the black filmmaker coming in and making the all-black subject matter. Especially at Sundance, they're looking for that. It's funny because amongst my filmmaker friends talk about this.
I wanted to make sure the focus [in The Land] was on human beings themselves and their decisions, but still connected to the urban environment that people associate as being black. I think I was able to make a film without commenting on "black this or black that" and you still feel the presence of it. There's no one character who's saying "we're all black and we're all in this struggle." It's that you just feel it. Some of that is because we get the sense from a lot of independent films that black people struggle all the time.
Black Realism or cosmopolitan black politician is a code word to say this is a black person that is not tied to a civil rights/black power traditional black politics.
I, however, like black. It is a color that makes me comfortable and the color with which I have the most experience. In the darkest darkness, all is black. In the deepest hole, all is black. In the terror of my Addicted mind, all is black. In the empty periods of my lost memory, all is black. I like black, goddammit, and I am going to give it its due.
Black was bestlooking. ... Ebony was the best wood, the hardest wood; it was black. Virginia ham was the best ham. It was black on the outside. Tuxedos and tail coats were black and they were a man's finest, most expensive clothes. You had to use pepper to make most meats and vegetables fit to eat. The most flavorsome pepper was black. The best caviar was black. The rarest jewels were black: black opals, black pearls.
I used to joke for years that I was a black man. I adopted the black culture, the black race. I married a black woman, and I had black kids. I always considered myself a 'brother.'
I have a very simple mantra and it's this: I want to make black cinema with the power, beauty, and alienation of black music. That's my big goal. The larger preoccupation is how do we force cinema to respond to the existential, political, and spiritual dimensions of who we are as a people.
People don't realize it hurts my feelings when someone looks at my hair or my eyes, and says, 'But you're not actually black. You're black, but you're not black black, because your eyes are green.' I'm like, 'What? No, no, I'm definitely black.' Even some of my closest friends have said that. It's been a bit touchy for me.
We don't live in a world that nurtures and cares for Black girls like me. And if the world doesn't care about a Black girl like me, then what will happen to our Black babies who grow up to become Black children and Black adults?
There is a black which is old and a black which is fresh. Lustrous black and dull black, black in sunlight and black in shadow.
The street is as diverse as any other sector, but in peoples' mind it gets appropriated as a black man who's tough. Trying to make it through by staying hard and phallocentric. To me, that is just an impoverished conception of what it is to be a black male. It doesn't do justice to my grandfather, my father, my brother - or just the black men I grew up with.
As a black person on the outside, because there's so much black art and so much of black people's work circulating, so many people imitating what black people do, you would think that there'd be more black people on the business side. It didn't cross my mind that every label head, for the most part, is a white guy.
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