A Quote by Arthur Machen

For, usually and fitly, the presence of an introduction is held to imply that there is something of consequence and importance to be introduced. — © Arthur Machen
For, usually and fitly, the presence of an introduction is held to imply that there is something of consequence and importance to be introduced.
I am aware of the technical distinction between ‘less’ and ‘fewer’, and between ‘uninterested’ and ‘disinterested’ and ‘infer’ and ‘imply’, but none of these are of importance to me. ‘None of these are of importance,’ I wrote there, you’ll notice – the old pedantic me would have insisted on “none of them is of importance”. Well I’m glad to say I’ve outgrown that silly approach to language
Diligence in employments of less consequence is the most successful introduction to greater enterprises.
English life is seventh-eighths below the surface, like an iceberg, and living in England for a year constitutes merely an introduction to an introduction to an introduction to it.
God is not something I think about but something I experience as an energy, a Presence. I do find it easier to pray to a female Presence or an androgynous Presence.
I have a mathematical certainty that the future will confirm my assertion that aerial warfare will be the most important element in future wars, and that in consequence not only will the importance of the Independent Air Force rapidly increase, but the importance of the army and navy will decrease in proportion.
Something of great importance now past is inferior to something of little importance now present, in that the latter is a reality, and related to the former as something to nothing.
The importance of an artist is to be measured by the quantity of new signs which he has introduced to the language of art.
I've introduced myself with comedy, and once you've introduced yourself as something, that's where people keep you. That's where people like to hold you.
A novelist must preserve a childlike belief in the importance of things which common sense considers of no great consequence.
Drag was not only my introduction to womanhood, but my introduction to entertainment. It was the first time I realized that I could move a crowd.
Humans are different in private than in the presence of others. While the private persona merges into the social persona in varying degrees, the union is never complete. Something is always held back.
It's amazing how you meet people through other people. I knew a racecar driver, Stefan Johansson, who was very hot. He introduced me to Jean Todt. He introduced me to a French doctor. He introduced me to a French architect who redid the Louvre with I.M. Pei. He introduced me to Daniel Boulud.
The color palette grew as the story progressed. The 1920's sharecroppers were muted and neutrals, the 30's and 40's introduced burgundy to the neutral palette. The 1950's introduced green, black and denim blue, the 1960's introduced orange and heavier more saturated color, the 1970's introduced more primaries, and the fashion palette became more recognizable as a contemporary one from there.
It is a human circumstance that when we are born we have not yet come into existence. We are lured into our special human existence by a mothering presence that gratifies our innate urges to be suckled, held, rocked, caressed. But that same gratifying presence puts limits on desire and rations satisfaction. In this sense the mother is also the first lawgiver.
For a transitory enchanted moment man must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder.
Here I beg you to observe in passing that the scruples that prevented ancient writers from using arithmetical terms in geometry, and which can only be a consequence of their inability to perceive clearly the relation between these two subjects, introduced much obscurity and confusion into their explanations.
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