A Quote by Arthur Machen

Very softly, but very swiftly, Last, the man with the grey face and the staring eyes, bolted for his life, down and away from the White House. Once in the road, free from the fields and brakes, he changed his run into a walk, and he never paused or stopped, till he came with a gulp of relief into the ugly streets of the big industrial town. He made hi way to the station at once, and found that he was an hour too soon for the London express. So, there was plenty of time for breakfast; which consisted of brandy.
“Run,” he whispered. “Run.” “No, Rand,” I said, brushing the dirt from his face. “I’m tired of running.” “Forgive me, please.” He clutched my hand as his eyes beseeched me through tears of pain. “You’re forgiven.” He sighed once, then stopped breathing. The shine in his brown eyes dulled. I pulled his hood over his head.
Man is man because he is free to operate within a framework of his destiny. He is free to deliberate, to make decisions, and to choose between alternatives. He is distinguished from animals by his freedom to do evil or to do good and to walk the high road of beauty or tread the low road of ugly degeneracy.
And his eyes frighten me, too. They're the eyes of an old man, an old man who's seen so much in life that he no longer cares to go on living. They're not even desperate... just quiet and expectant, and very, very lonely, as if he were quite alone of his own free choice.
A learned man came to me once. He said, "I know the way, -- come." And I was overjoyed at this. Together we hastened. Soon, too soon, were we Where my eyes were useless, And I knew not the ways of my feet. I clung to the hand of my friend; But at last he cried, "I am lost.
There comes a time in the life of us all when we must lay aside our books or put down our tools and leave our place of work and walk forth on the road to meet the enemy face-to-face. Once and for all and at last
I became simply a pair of eyes, staring through my mask at Char. I needed no ears because I was too far off to hear his voice, no words because I was too distant for speech, and no thoughts - those I saved for later. He bent his head. I loved the hairs on the nape of his neck. He moved his lips. I admired their changing shape. He clasped his hand. I blessed his fingers. Once, the power of my gaze drew his eyes.
In his face there came to be a brooding peace that is seen most often in the faces of the very sorrowful or the very wise. But still he wandered through the streets of the town, always silent and alone.
Once, hurrying through a busy airport to get to my gate on time for a connecting flight, I came upon a lady in a wheelchair. Amidst the chaos of the hundreds of people rushing around us, my eyes met hers. The sweetest smile appeared on her face. I smiled back, but I knew she would never fully realize how that small gesture had filled my soul. I believe that God is in our everyday. Many moments occur in our lives which reveal his face, his touch, his voice. Look for him today. He will be found.
The girl hurried away, but then Pippi shouted, "Did he have big ears that reached way down to his shoulders?" "No," said the girl and turned and came running back in amazement. "You don't mean to say that you have seen a man walk by with such big ears?" "I have never seen anyone who walks with his ears," said Pippi. "All the people I know walk with their feet.
Then up he got with a light heart, free from all his troubles, and walked on till he reached his mother's house, and told her how very easy the road to good luck was.
This is a man with an old face, always old... There was pathos, in his face, and in his eyes. The early weariness; and sometimes tears in his eyes, Which he let slip unconsciously on his cheek, Or brushed away with an unconcerned hand. There were tears for human suffering, or for a glance Into the vast futility of life, Which he had seen from the first, being old When he was born.
When I came on board, it was halfway through his [Frank Sinatra] 72nd year, and when he did his last show he was gaining on 80. He knew it, the audience knew it, and there was never any attempt to conceal such a thing. His vision wasn't what it had once been. His hearing wasn't. His memory was fading. He knew these things. He was very much in need of help, and I was so happy to be able, in a small way, to render that help.
It seemed as though he gave way all at once; he was so languid that he could not control his thoughts; they would wander to her; they would bring back the scene,- not of his repulse and rejection the day before but the looks, the actions of the day before that. He went along the crowded streets mechanically, winding in and out among the people, but never seeing them, -almost sick with longing for that one half-hour-that one brief space of time when she clung to him, and her heart beat against his-to come once again.
A man's character is like his house. If he tears boards off his house and burns them to keep himself warm and comfortable, his house soon becomes a ruin. If he tells lies to be able to do the things he shouldn't do but wants to, his character will soon become a ruin. A man with a ruined character is a shame on the face of the earth.
And Harry, with the unerring skill of the Seeker, caught the wand in his free hand as Voldemort fell backward, arms splayed, the slit pupils of the scarlet eyes rolling upward. Tom Riddle hit the floor with a mundane finality, his body feeble and shrunken, the white hands empty, the snakelike face vacant and unknowing. Voldemort was dead, killed by his own rebounding curse, and Harry stood with two wands in his hands, staring down at his enemy's shell.
There was once a Bald Man who sat down after work on a hot summer's day. A Fly came up and kept buzzing about his bald pate, and stinging him from time to time. The Man aimed a blow at his little enemy, but — whack — his palm came on his head instead; again the Fly tormented him, but this time the Man was wiser and said: YOU WILL ONLY INJURE YOURSELF IF YOU TAKE NOTICE OF DISPICABLE ENEMIES.
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