A Quote by Arthur Miller

If I see an ending, I can work backward. — © Arthur Miller
If I see an ending, I can work backward.
A good plan today is better than a perfect plan tomorrow. Don't wait for an inspired ending to come to mind. Work your way to the ending and see what comes up.
They had their faces twisted toward their haunches and found it necessary to walk backward, because they could not see ahead of them. ...And since he wanted so to see ahead, he looks behind and walks a backward path.
If you are walking backward, away from something you think is a mistake, you may be right in supposing it is a mistake, but for you to be walking backward is never right. You know what happens to people who walk backward.... We are meant to walk forward, not backward, and reaction is always a matter of walking backward.
I want to expand the question of when something is done. I want to vex the ending. I want to mess around with that. I like the idea that if you make a work that has no clear ending, then you must play with the ending. Because if you don't, you're not highlighting the weird, lovely openness of abstraction.
Obama sees everything backward. Where Americans see individual achievement, he sees government's work. Where we see failing companies, he sees innovation worth subsidizing. Where we see the need for economic growth, he sees a need for higher taxes.
It's always easiest for me as a writer if I know I have a great ending. It can make everything else work. If you don't have a good ending, it's the hardest things in the world to come up with one. I always loved the ending of 'The Kite Runner,' and the scenes that are most faithful to the book are the last few scenes.
There is a rhythm to the ending of a marriage just like the rhythm of a courtship, only backward.
When the ending finally comes to me, I often have to backtrack and make the beginning point towards that ending. Other times, I know exactly what the ending will be before I begin, like with the story "A Brief Encounter With the Enemy." It was all about the ending - that's what motivated me.
As long as the reader is enjoying a story and the writing, it doesn't concern me if people don't understand why it's running backward or if it's running backward. I think disorientating a reader a bit can be really nice. Making them work and bringing their own past to play in a novel.
There's a reason a happy ending is called an ending. The trick of a television storyteller is to find all the rivers and mountains and valleys on the way to that ending.
There are two ways to extend a business. Take inventory of what you're good at and extend out from your skills. Or determine what your customers need and work backward, even if it requires learning new skills. Kindle is an example of working backward.
In art school, I started to see Pettibon in magazines, and I figured it out backward. I was into the idea that someone could show work in galleries while making album covers and photocopied books.
Last, but not least -- in fact, this is most important -- you need a happy ending. However, if you can create tragic situations and jerk a few tears before the happy ending, it will work much better.
The ending has to fit. The ending has to matter, and make sense. I could care less about whether it's happy or sad or atomic. The ending is the place where you go, “Aha. Of course. That's right.”
With my being from Hawaii and being very family oriented I don't really have a fear of a tragic ending. I dont see any tragic ending for me.
Backward, turn backward, O Time, in your flight, Make me a child again just for to-night!
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