A Quote by Arthur Miller

The two greatest plays ever written were Hamlet and Oedipus Rex, and they're both about father-son relationships. — © Arthur Miller
The two greatest plays ever written were Hamlet and Oedipus Rex, and they're both about father-son relationships.
I look at it like this: that if Shakespeare were alive today, he would have written two or three plays about the Kennedy family, and actors would traditionally play JFK like they Hamlet or King Lear. They just would. I mean, people have played JFK, and they'll play him long after I have.
... if we say that the Father is the origin of the Son and greater than the Son, we do not suggest any precedence in time or superiority in nature of the Father over the Son (cf. Jn. 14:28)? or superiority in any other respect save causation. And we mean by this, that the Son is begotten of the Father and not the Father of the Son, and that the Father naturally is the cause of the Son.
The Son is called the Father; so the Son must be the Father. We must realize this fact. There are some who say that He is called the Father, but He is not really the Father. But how could He be called the Father and yet not be the Father?... In the place where no man can approach Him (I Tim. 6:16), God is the Father. When He comes forth to manifest Himself, He is the Son. So, a Son is given, yet His name is called 'The everlasting Father.' This very Son who has been given to us is the very Father.
Plato did claim that the unexamined life was not worth living. Oedipus Rex was not so sure.
Every time one can write a self-deluded song, you are way ahead of the game, way ahead. Self-delusion is the basis of nearly all the great scenes in all the great plays, from 'Oedipus' to 'Hamlet.'
The father-son thing, that's a separate thing. This film [Forsaken] was not about that. This was a film about two actors wanting to try and tell a story... and taking advantage of the fact that we looked like a father and son.
I saw Derek Jacobi play Hamlet when I was 17, and he directed me as Hamlet when I was 27, and I directed him as Claudius in 'Hamlet' when I was 35, and I'm hoping we meet again in some other production of Hamlet before we both toddle off.
King Lear is undoubtedly the greatest play ever written by Shakespeare - or anybody else for that matter. Hamlet is certainly great, but it doesn't contain as many elements of humanity as we see in Lear.
I think there comes a point in probably most father-son relationships where the son kind of starts becoming the parent.
I think, however, that Astaire's coordination is better than Kelly's... his sense of rhythm is uncanny. Kelly, on the other hand, is the stronger of the two. When he lifts you, he lifts you!... To sum it up, I'd say they were the two greatest dancing personalities who were ever on screen. But it's like comparing apples and oranges. They're both delicious.
My mother, father and brothers (I was the youngest of three boys), were all very sarcastic and we were a complete Irish-Catholic family. We didn't talk about our feelings ever, and if we did, we were yelling about them - there was no in-between. That's just carried over so many ways in my life and sabotaged relationships, sabotaged creative stuff.
To paraphrase Oedipus, Hamlet, Lear, and all those guys, "I wish I had known this some time ago.
There were some articles written about our marriage, mythologising it, making it into the greatest love story ever told.
I lost two of the greatest men I've ever known to assassination - and a son to suicide.
Plays are always about intense relationships, whether they're intense love relationships or family relationships or existential relationships.
I'd not really ever expected to play anything like 'Hamlet.' I hadn't seen myself as a natural Hamlet, whatever a natural Hamlet is, and I quickly realised there is no such thing.
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