A Quote by Arthur Miller
Every time I am reading actors I can pretty well tell which ones have studied with Meisner. It is because they are honest and simple and don't lay on complications that aren't necessary.
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I studied technique for ten years, from age 7 to 17. I guess you could say I went more on the Stanislavski side than the Meisner side - there's always that wide divide among actors when it comes to technique.
It is not the reading of many books which is necessary to make a man wise or good; but well reading of a few.
I doubt if I shall ever have time to read the book again -- there are too many new ones coming out all the time which I want to read. Yet an old book has something for me which no new book can ever have -- for at every reading the memories and atmosphere of other readings come back and I am reading old years as well as an old book.
It is not the reading of many books which is necessary to make a man wise or good, but the well-reading of a few, could he be sure to have the best. And it is not possible to read over many on the same subject without a great deal of loss of precious time.
Like all actors, after every job, I think, 'Well, that's the last one, and I'd better think about doing something else.' But I've been so very lucky, and I've managed to keep going for a long time. It's just the way the cookie crumbles, and it's crumbled pretty well for me. I appreciate it, and I realise how lucky I am.
I don't really have a method or a technical process. I studied [Sanford] Meisner, and that's the thing that really works for me. That sort of instinctual, in the moment, what the other actors do, working off them and letting the story unfold, as opposed to having an idea of what the story should be.
We can begin to let go of the complications that cause us to suffer by cultivating a simple state of awareness. In this process, tiny steps yield big results, in part because simplicity is nature's default position. Suffering and the complications that fuel it are unnatural; it wastes energy to maintain complexity.
She studied my face for a long minute. "Are you going to help my mom?" It was a simple question. But how do you tell a child that things just aren't that simple, that some questions don't have simple answers--or any answer at all?
Alas, I have studied philosophy, the law as well as medicine, and to my sorrow, theology; studied them well with ardent zeal, yet here I am, a wretched fool, no wiser than I was before.
I've studied Stanislavsky, and Mamet taught Stanislavsky, and I studied with Sanford Meisner. But the part of the method that I think is the most fruitful is the method of physical actions. It all comes down to your objective: Nothing else counts except what you want. How you feel will take care of itself.
I work more now because at this time of my life I am not disturbed from my aim by outside pressures such as family, passionate relationships, dealing with 'who am I?' - those complications when one is searching for one's self.
I really am not overly comfortable with attention to be honest. Paradoxically I've noticed this is a pretty common trait amongst actors. You like to let the work speak for you, I think.
With my students, I don't offer any simple tips like that, maybe because my own process is pretty messy, but when we workshop we talk a lot about the deeper subject, which is what the story or novel is about. I think defining a narrative's themes can lay bare a narrative's tensions.
I think there is a misconception that being open and honest and saying what it is you want is something we should be embarrassed about. But that's just not me. I am a very honest person. I always tell somebody what I am looking for, and I don't want people to waste my time, basically.
Leave all the afternoon for exercise and recreation, which are as necessary as reading. I will rather say more necessary because health is worth more than learning.
The reason everybody is so amazed and enamored with me right now is because I have worked every angle, I have worked every formula, I have worked every equation, I have seen every club, I have seen every performance, I have seen every joke, I have studied, I have done my job. That's why I'm good. It's not because I got up one night and decided I wanted to tell some f - -ing jokes.
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