A Quote by Arthur Miller

The culture of the United States has flooded the world. It's the inevitable result of a powerful culture, art. We've got an instinctive touch when it comes to the popular mind because we've had no aristocracy. It is a democratic country. And we know without knowing it, without bothering to understand it, how to reach ordinary people, sometimes with the most vulgar, worthless junk on the face of the earth, but we know how to do it [laughter].
Most people in the country didn't - and might still not - know about how powerful the United States is. They think North Korean weapons are the best in the world, and they're very proud of them. They believe they can protect the country from anyone.
Professional wrestling in Europe is more of a sub-culture. It is not as popular as it is here in the United States. The people that were drawn to it were also people that were into sub-culture, hardcore sub-culture. It is basically an alternative scene that is sub-culture.
Some people say, "How can you live without knowing?" I do not know what they mean. I always live without knowing. That is easy. How you get to know is what I want to know.
How do you make any sense of history, art or literature without knowing the stories and iconography of your own culture and all the world's main religions?
They [the Templars] had read Avicenna, and they were not ignorant, like the Europeans. How could you live alongside a tolerant, mystical, libertine culture for two centuries without succumbing to its allure, particularly when you compared it to Western culture, which was crude, vulgar, barbaric, and Germanic?
My greatest contribution to hip-hop was allowing the United States of America to know and understand exactly how far they reach, and how influential they are to children in completely different countries because I am the import.
Well, when you're an immigrant writer, or an immigrant, you're not always welcome to this country unless you're the right immigrant. If you have a Mexican accent, people look at you like, you know, where do you come from and why don't you go back to where you came from? So, even though I was born in the United States, I never felt at home in the United States. I never felt at home until I moved to the Southwest, where, you know, there's a mix of my culture with the U.S. culture, and that was why I lived in Texas for 25 years.
I didn’t know how I could live with that knowledge, without it eating me up, without it poisoning every happy memory I had of growing up. Without it ruining everything Beck and I had. I didn’t understand how someone could be both God and the devil. How the same person could destroy you and save you. When everything I was, good and bad, was knotted with threads of his making, how was I supposed to know whether to love or hate him?
I am a pop culture person. And car people have clearly contributed to pop culture, which is how I knew about purple French tail lights and 30-inch fins without exactly knowing what they were.
Much of the rest of the world has already learned some English. They pretty much understand the American way of doing things, because our culture has been ubiquitous and has been the 500-pound gorilla in the global economy. But the world is far more interrelated than ever before, and no one culture can thrive without the knowledge of how to function in other cultures.
It's not possible to present an accurate picture of our culture without all the voices of the people in the culture. So at the emerging level, you can't have a good survey art show without women and artists of color.
I just saw a recent television program about art, and it was saying how from the end of the Second World War, so much of what our culture is comes from not just the United States in general, but New York in particular. In my case, I can't imagine my life without the extraordinary bebop jazz revolution in New York in late '40s and '50s.
There are three basic problems: how a mind can know the world of nature, how it is possible for one mind to know another, and how it is possible to know the contents of our own minds without resort to observation or evidence. It is a mistake, I shall urge, to suppose that these questions can be collapsed into two, or taken into isolation.
I love hip hop music and would do anything to help the culture blow up in China because it's been so underground. I just want people know how good this culture is, how good the music is, and how it can change your life.
What I'm trying to do is help people understand if for one day they could have the best day ever, where there energy and there focus and everything is super clear and they feel like a great golden god... if you do that one time you know you're capable of it and you can start working towards that. Most people I know have felt like crap without knowing it most of their life. They've never had a wonderful day. Once you have that day, you can learn how to kick more ass repeatedly.
But how can you understand a war without any knowledge of the society where it happens? It's like trying to understand birth without knowing anything about pregnancy or conception. Or like trying to understand our current economic collapse without knowing what a derivative is.
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