A Quote by Arthur Miller

How to live had started out as an analytical problem of how to place himself so as to intercept the flow of money in the society. — © Arthur Miller
How to live had started out as an analytical problem of how to place himself so as to intercept the flow of money in the society.
That's part of the reason why we also need to focus on, how do I give to society, how do I participate in society, how do I make society a better place, because, by the way, it's good for me, but it's also good for all of us in the environment in which we live and work.
And you couldn’t control who you loved, even if you wanted to. That had been Genevieve’s problem with Ethan Carter Wate. It had been Uncle Macon’s problem with Lila, Link’s with Ridley. Probably even Ridley’s with Link. Love was how all these knots started to unravel in the first place.
I pitch Mint to everyone from investors to engineers, young and old, and I do it pretty much the same way: Here's the problem in the market place, here's how we solve it, and here's how we make money.
We all have this place in us, a place of strength, harmony and wisdom, but most of the time we don't live there How can we course-correct faster? How can we encourage each other to live in that place more?
It was hard to admit I had a problem when I still had money, property, prestige. How can I have a problem when I'm driving my new Mercedes, and it's paid for, and I have a house at Malibu?
Memory is funny. Once you hit a vein the problem is not how to remember but how to control the flow.
Suddenly, I realized how tough trying to structure a story like this is. It was a lot of work. The one big advantage that we had was that we had eight scripts written before we started shooting, or even started casting. We had a really good opportunity to look at it and figure out where we were going to go and how to do it. Once we got a cast, which I love, then we started doing some revisions to make sure that they fit into it.
How you handle or mishandle your money tells us who you are and, more important, it tells YOU who you are. Your priorities, passions, goals, and fears are shown clearly in the flow of your money. Your value system, or lack of one causes money to flow around you, passed you, or to you. When money is in your possession, what you do with it screams loudly who you are.
Casanova, he had no money and no power, and according to some, he even was cute. But he had talent to live, and some literature talent. I love how he invented himself.
In the pre-capitalist world, everyone had a place. It might not have been a very nice place, even maybe a horrible place, but at least they had some place in the spectrum of the society and they had some kind of a right to live in the place. Now that's inconsistent with capitalism, which denies the right to live. You have only the right to remain on the labour market.
But in terms of how people live together, how we minimize the prospects of conflict and maximize the prospects of peace, the place of religion in our society today is essential.
I started out in anthropology, so to me how society works, how people put themselves together and make things work, has always been a big interest.
The river makes the water flow. That's how I live. I just let everything flow. Flow with the river.
What 'Deadwood' did was to talk about how capitalism started, how civilised society came in, and how that brought its own problems.
If your motives aren't clean, money itself becomes evil. But When we don't have money enough evil, the world tells us we're losers. So what determines our place in society is not how much kindness is in our hearts but how much evil is in our wallet.
Our first and most pressing problem is how to do away with warfare as a method of solving conflicts between national groups within a society who have different views about how the society is to run.
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