A Quote by Arthur Miller
A playwright... is... the litmus paper of the arts. He's got to be, because if he isn't working on the same wave length as the audience, no one would know what in hell he was talking about.
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A playwright, especially a playwright whose work deals very directly with an audience, perhaps he should pay some attention to the nature of the audience response - not necessarily to learn anything about his craft, but as often as not merely to find out about the temper of the time, what is being tolerated, what is being permitted.
Funnily enough, it is the subject one dreads talking about at length one ends up talking about at length, often without the slightest provocation.
If I've gone to get a takeaway, and I get chips... I like to match up the chips in length. That is actually quite weird. Obviously, if I've got chips, I pick them out in twos. That's a weird thing as well. You know, if they're not the same length, well, I go hunting for the same length in chips.
The thing I always guard against when I'm talking to people I'm working with about a script is that there's a thing I don't like and it's called "talk story." It's when you're talking about the story; the characters are tasked with talking about the story instead of allowing the audience to experience the story.
I learned never to listen to acting teachers because they don't know what the hell they're talking about.
It's kind of pathetic actually that we are all sitting here talking about Forth. It is not the wave of the future. It's never been the wave of the future. It's not within our power to make it the wave of the future.
I have a problem with telling jokes about physics. Quite often the audience have no idea what you are talking about and, to be honest, I don't know what I'm talking about either.
A playwright must be his own audience. A novelist may lose his readers for a few pages; a playwright never dares lose his audience for a minute.
I choose to ignore hell in my life. When I was a little kid I asked my Dad "Am I going to go to hell?" because I'd heard about hell. And he said, "Nothing you're gonna do will get you into hell." And so I got to ignore it.
It's weird talking about projects as an actor because you're so in them. I would prefer to write a paper and deliver it to everyone via e-mail.
Writers are egotists. All artists are. They can’t be altruists and get their work done. And writers love to whine about the Solitude of the Author’s Life, and lock themselves into cork-lined rooms or droop around in bars in order to whine better. But although most writing is done in solitude, I believe that it is done, like all the arts, for an audience. That is to say, with an audience. All the arts are performance arts, only some of them are sneakier about it than others.
Me, I always wanted frost power.” “Frost power?” “Yeah.” Seth gestured dramatically toward my coffee table. “If we’re talking superhero abilities. If I had frost power, I could wave my hand, and suddenly that whole thing would be covered in ice.” “Not frost?” “Same difference.” “How would frost and/or ice power help you fight crime?” “Well, I don’t know that it would. But it’d be cool.
Making a show is also economics. Because the irony is, or the shame of it is, you cannot create a show instantaneously. It needs to be massaged. You need to see who is relating to who. How is it working with the audience? You need to give it a chance for the audience to find it, because there are so many outlets. And the audience doesn't know where to go.
People assume that because I'm a celebrity and have this platform that I always know what I'm talking about. I guess I don't always know what I'm talking about because I'm a kid who's trying to figure it out amid all the chaos of the world at large, and also the chaos of having this voice and responsibility. At the same time, this voice and responsibility has been the biggest blessing because I'm able to create change just by posting something on Instagram. That's really amazing. I can't believe that I get to have that megaphone and I get to decide how to use it.
I have thought about the next steps, and you know, they still don't know that I can dance. They don't know it, and it's frustrating me because I feel that it's an edge that I have, and I'm not talking about I took this hip hop class, I'm talking about this is how people actually know me.
I think the best thing about music is that someone could be writing a song that's so personal, and it tells so many other people's story at the same time. It kind of exemplifies that we are all kind of on the same wave[length] - it's amazing how comforting somebody else's story can be, because we have experienced their story in some way or another, and I can totally relate, and I get to feel that feeling and the expression of that emotion. I get to feel like as a listener, that somebody understands me, which is pretty incredible.
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