A Quote by Arthur Miller
The success of a play, especially one's first success, is somewhat like pushing against a door which is suddenly opened that was always securely shut until then. For myself, the experience was invigorating. It suddenly seemed that the audience was a mass of blood relations, and I sensed a warmth in the world that had not been there before. It made it possible to dream of daring more and risking more.
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My discovery of Tarkovsky's first film was like a miracle. Suddenly, I found myself standing at the door of a room the keys of which had, until then, never been given to me. It was a room I had always wanted to enter and where he was moving freely and fully at ease.
There's two kinds of rock n' roll casualty: the one that has huge success and adoration, and then suddenly it stops. Or there's when you're in a band: it is all-consuming, so then you have the dream of that, and then the dream's taken away from you even before it happens.
The kiss began much the same as usual--Edward was as careful as ever, and my heart began to overreact like it always did. And then something seemed to change. Suddenly his lips became much more urgent, his free hand twisted into my hair and held my face securely to his. And though I was clearly beginning to cross his cautious lines, for once he didn't stop me. His body was cold through the thin quilt, but I crushed myself against him eagerly.
I always like to break out and address the audience. In 'The History Boys', for instance, without any ado, the boys will suddenly turn and talk to the audience and then go back into the action. I find it more adventurous doing it in prose than on the stage, but I like being able to make the reader suddenly sit up.
The earth's warmth under me, as I stretch out at night, is astonishing. It is like the warmth of another body that has absorbed the sun all day and now gives out again its store of heat. It is softer, darker than I could ever have believed, and when I take a handful of it and smell its extraordinary odors, I know suddenly what it is I am composed of, as if the energy that is in this fistful of black soil had suddenly opened, between my body and it, as between it and the green stalks, some corridor along which our common being flowed.
I feel like every time a door is opened by science, suddenly there are a hundred doors that need to get opened. That's what makes it an everlasting, interesting experience to go through.
I was a little hippie on a world backpacking adventure, and suddenly I became a vampire princess. I still find it hard to believe that it is real. I feel ludicrously lucky to have been chosen to play such a compassionate, complex character for my first film, and I am so grateful to all the beautiful people who made it possible for me. It was a dream come true. I felt like Cinderella every day, going to work with this amazing team on this dream script. If Cinderella were a vampire.
Every movie that I've had to really knock down the door for has been an enormous success for me. Not just like a financial success but a real personal success.
When I realized that my big dream was going to come true - 'Night Shift' was a success, 'Splash' was a success, I got the job to do 'Cocoon' - suddenly, I was underway. And I knew my name was rising up the lists. I was going to have a career. I was going to be able to direct movies until I screwed it up.
As you get little pockets of success, then suddenly the light bulbs go on in everyone's head, and more leaders get more confident and make more, bigger decisions, and customers respond well, and it becomes a bit of a flywheel.
Peter invented, with Wendy's help, a new game that fascinated him enormously, until he suddenly had no more interest in it, which, as you have been told, was what always happened with his games. It consisted in pretending not to have adventures.
The first thing you have to do is understand what success looks like. And to understand what success looks like you have to understand the intent. If you understand that intent is to make sure the sea lines are secure, then suddenly bombing Kosovo makes sense, because you don't want Serbia to reemerge as a major power.
I've always been too hard on myself to behave like I've arrived or even to enjoy whatever success I've had. I've always envisioned myself higher than where I was and I still do. With each success I think, 'That's nice but I'm supposed to go there!'
I stood looking down out of the window. The street seemed miles down. Suddenly I felt as if I'd flung myself out of the window. I could see myself lying on the pavement. Then I seemed to be standing by the body on the pavement. I was two people. Blood and brains were scattered everywhere. I knelt down and began licking up the blood and brains
My mother took me to the British Museum aged five. I had thought people from the past weren't as good as we were, and then I saw the Elgin marbles. Suddenly, the world seemed more complicated.
The success of 'The Celebration' was like a hand grenade exploding in my face. It suddenly gave me so many opportunities to explore things I had never done before.
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