A Quote by Arthur Potts Dawson

I don't come from any great culinary tradition - I'm from London! — © Arthur Potts Dawson
I don't come from any great culinary tradition - I'm from London!
Culinary tradition is not always based on fact. Sometimes it's based on history, on habits that come out of a time when kitchens were fueled by charcoal.
I think I come from a theatrical tradition where, if you look at the great theatrical actors of the British theatre, they took enormous pride in being wildly different from one role to the next. That's the tradition I come from.
Not having a New York culinary tradition, far from being limiting, it's an opportunity to create freely.
The great divide is not between faiths, but one between intolerant zealots of any tradition and the large numbers of decent, peaceful believers likewise found in each tradition.
The Western music tradition is mostly addressed to a public that has a critical mind, and judges the quality of the writing, of the interpretation. And I think it is a great tradition! It pushes the musicians to always go further, and to never stop pushing the limits and explore what can be done with sounds. And great pieces of art were born from that tradition.
When Americans come to London they usually say how much they love the history, the tradition, the splendid tumpty-tum of things whose very repetition has become their point.
I learned a little of beauty - enough to know that it had nothing to do with truth - and I found, moreover, that there was no great literary tradition; there was only the tradition of the eventful death of every literary tradition.
Only those of our poets who kept solidly to the Shakespearean tradition achieved any measure of success. But Keats was the last great exponent of that tradition, and we all know how thin, how lacking in charm, the copies of Keats have become.
In France, in Europe, the young artists of any generation always act as grandsons of some great man - Poussin, for example, or Victor Hugo. They can't help it. Even if they don't believe in that, it gets in their system. And so when they come to produce something of their own, the tradition is nearly indestructible.
Study the great brush drawings of the Chinese and Japanese... When we try to imitate their conventions for perspective, form and texture we lose the content, because those artists were part of an ancient tradition. Our tradition changes rapidly, our schools of thought come to fruition quickly and decay again. We see differently.
Rioting has always been a London tradition. It has been since the early Middle Ages. There's hardly a spate of years that goes by without violent rioting of one kind or another. They happen so frequently that they are almost part of London's texture.
Mexican fighters have a great tradition. They come to fight, and they don't back down.
Amazing tradition. They throw a great party for you on the one day they know you can't come.
I come from a tradition - from the Jewish tradition, which believes in words, in language, in communication.
London is the most multicultural, mixed race place on Earth. And I love that. I grew up in a neighborhood in London where English wasn't necessarily the first language - maybe because of that, I love to travel. Every penny I've ever saved has been spent on airline tickets to different corners of the world. I think that's partly from growing up in London. I've taken that bit with me - this ability to fit in with any culture and be fascinated and respectful with any culture all started from growing up in London.
Come with me, ladies and gentlemen who are in any wise weary of London: come with me: and those that tire at all of the world we know: for we have new worlds here.
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