A Quote by Arthur Rimbaud
For a long time I found the celebrities of modern painting and poetry ridiculous. I loved absurd pictures, fanlights, stage scenery, mountebanks backcloths, inn-signs, cheap colored prints; unfashionable literature, church Latin, pornographic books badly spelt, grandmothers novels, fairy stories, little books for children, old operas, empty refrains, simple rhythms.
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I'm interested in illustration in all its forms. Not only in books for children but in posters, prints and performance as a way of drawing people into books and stories.
I've always loved books. My mother told me that before I could talk, I'd babble in my crib as I turned the pages of my little cloth books, apparently telling stories to go along with the pictures.
The secret of keeping young is to read children's books. You read the books they write for little children and you'll keep young. You read novels, philosophy, stuff like that and it makes you feel old.
These weren't cheap modern books; these were books bound in leather, and not just leather, but leather from clever cows who had given their lives for literature after a happy existence in the very best pastures.
You'll notice that my books offer great variety. Some are for adults, some for children and some for teens. There are mysteries, historical novels, picture books, love stories and stories of crisis and courage.
A man's bookcase will tell you everything you'll ever need to know about him," my father had told me more than once. "A businessman has business books and a dream has novels and books of poetry. Most women like reading about love, and a true revolutionary will have books about the minutiae of overthrowing the oppressor. A person with no books is inconsequential in a modern setting, but a peasant that reads is a prince in waiting.
I love reading all kinds of books. I usually have about ten books going at any one time - books about the past, the present, novels, non-fiction, poetry, mythology, religion, etc. Reading is my favorite thing to do.
I have no little insight into the feelings of furniture, and treat books and prints with a reasonable consideration. How some people use their pictures, for instance, is a mystery to me; very revolting all the same--portraits obliged to face each other for ever--prints put together in portfolios.
Of course all children's literature is not fantastic, so all fantastic books need not be children's books. It is still possible, even in an age so ferociously anti-romantic as our own, to write fantastic stories for adults: though you will usually need to have made a name in some more fashionable kind of literature before anyone will publish them.
I wondered if that was true: if they were all really children wrapped up in adult bodies, like children's books hidden in the middle of dull, long adult books, the kind with no pictures or conversations.
the association of children and fairy-stories is an accident of our domestic history. Fairy-stories have in the modern lettered world been relegated to the “nursery,” as shabby or old-fashioned furniture is relegated to the play-room, primarily because the adults do not want it, and do not mind if it is misused.
The current publishing scene is extremely good for the big, popular books. They sell them brilliantly, market them and all that. It is not good for the little books. And really valuable books have been allowed to go out of print. In the old days, the publishers knew that these difficult books, the books that appeal only to a minority, were very productive in the long run. Because they're probably the books that will be read in the next generation.
Not every child takes instantly to books like a duck to water, but I don’t believe there are children who hate books. There are just children who haven’t yet found the right books for them.
I like to be surrounded by books. My wife Evelyn has a Ph.D. in comparative literature, so we have a lot of her Spanish and German literature books which are wasted on me, plus a lot of novels and books on art and architecture shared by us both. Evelyn used to edit an art magazine called 'FMR,' so we have a common interest in design.
I like to be surrounded by books. My wife Evelyn has a PhD in comparative literature so we have a lot of her Spanish and German literature books which are wasted on me, plus a lot of novels and books on art and architecture shared by us both. Evelyn used to edit an art magazine called FMR, so we have a common interest in design.
Regency literature was too coal-y for me, too long-winded and describey. I preferred modern books where you had to read other books explaining what the first book meant to know what happened.
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