A Quote by Arthur Rothstein
...a photographer must be aware of and concerned about the words that accompany a picture. These words should be considered as carefully as the lighting, exposure and composition of the photograph.
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A photograph records both the thing in front of the camera and the conditions of its making... A photograph is also a document of the state of mind of the photographer. And if you were to extend the idea of the set-up photograph beyond just physically setting up the picture, I would argue that the photographer wills the picture into being.
Today we are going to talk about words. You know, words are containers for power. They carry creative or destructive power. They carry positive or negative power. We can choose our words and we should do it carefully.
Liquid, flowing words are the choicest and the best, if language is regarded as music. But when it is considered as a picture, then there are rough words which are very telling, they make their mark.
You do your work as a photographer and everything becomes past. Words are more like thoughts; the photographer's picture is always surrounded by a kind of romantic glamor - no matter what you do, and how you twist it.
Composition in photography is almost as varied as composition in music or words -- melodic or atonal, safe or daring -- and can enhance subject, theme, and style. Every photograph you take involves you in some compositional decision, even if this is simply where to set up the camera or when to press the button.
The words 'alone,' 'lonely,' and 'loneliness' are three of the most powerful words in the English language. Those words say that we are human; they are like the words hunger and thirst. But they are not words about the body, they are words about the soul.
A photograph is a photograph, a picture, an image, an illusion complete within itself, depending neither on words, reproductive processes or anything else for its life, its reason for being.
Occasionally words must serve to veil the facts. But let this happen in such a way that no one become aware of it; or, if it should be noticed, excuses must be at hand to be produced immediately.
There are a lot of ways to talk about the life of a photograph. You can talk about the afterlife of a photograph, and in the end I talk about that, with the Richard Prince picture. But mainly, what I dedicated the book to being about was how photographs begin their life, and where they begin it. And they begin it with the photographer's imagination and instinct and experience.
There is a creative fraction of a second when you are taking a picture. Your eye must see a composition or an expression that life itself offers you, and you must know with intuition when to click the camera. That is the moment the photographer is creative. Oop! The Moment! Once you miss it, it is gone forever.
People in the world wish to make things rigid, things which are of the finest nature which words cannot explain. When a person describes the hereafter, it is just like wanting to weigh the soul or photograph the spirit. I personally think that you must be able to realize yourself what the hereafter is. You must not depend upon my words.
I wish I could remember the moment when I was a kid and I discovered that the letters linked into words, and that the words linked to real things. What a revelation that must have been. We don't have the words for it, since we hadn't yet learned the words. It must have been astonishing, to be given the key to the kingdom and see it turn in our hands so easily.
You've got a number of things that take place that are peculiar to still photography. One: how a picture looks - what you photograph is responsible for how a photograph looks. In other words, it's responsible for the form.
Wordstruck is exactly what I was—and still am: crazy about the sound of words, the look of words, the taste of words, the feeling for words on the tongue and in the mind.
I'm trying to think of myself at a quiet time. I need to do better with a quiet mind because I'm constantly going and I think that's what feeds me. I've been that way my whole life. But I don't think I picture things so much as I talk them through. Words, words, words. Words and melody.
A photograph is worth a thousand words, provided it is accompanied by only ten words.
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