A Quote by Arthur Rubinstein
Sometimes when I sit down to practice and there is no one else in the room, I have to stifle an impulse to ring for the elevator man and offer him money to come in and hear me.
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Sometimes the songs just come to me. I don't sit down to write like you'd sit down to make a pair of boots.
A man is at the bar, drunk. I pick him up off the floor, and offer to take him home. On the way to my car, he falls down three times. When I get to his house, I help him out of the car, and on the way to the front door, he falls down four more times. I ring the bell and say, Here's your husband! The man's wife says, Where's his wheelchair?
If I sat down in any room, I'd have as much to learn from anybody in that room as they'd have to learn from me. If I sit down and just really listen and hear who you are and what you have to say, what you fears are, what your ambitions are, and what your vision is, I have just as much to learn from you as you have to learn from me.
I'll hear a phrase around me that someone says... I'll write it down in my notebook, and as soon as I'll sit down with my guitar, I'll come up with the rest of the arrangement there.
Practice is absolutely necessary. You may sit down and listen to me by the hour every day, but if you do not practice, you will not get one step further. It all depends on practice.
Whenever we go to the cinema in Mexico, we have to get taken in two minutes before the film starts. We sit in a little room and wait for everyone else to sit down, or it becomes very difficult. Then, afterwards, there are people outside waiting for me.
Performing is a profound experience, at least for me. It's not as if I sit down and play 'Fire and Rain' by myself, just to hear it again. But to offer it up... the energy that it somehow summons live takes me right back, and I do get a reconnection to the emotions.
I've come to this belief that, if you show me a woman who can sit with a man in real vulnerability, in deep fear, and be with him in it, I will show you a woman who, A, has done her work and, B, does not derive her power from that man. And if you show me a man who can sit with a woman in deep struggle and vulnerability and not try to fix it, but just hear her and be with her and hold space for it, I'll show you a guy who's done his work and a man who doesn't derive his power from controlling and fixing everything.
Actually, if I could deliberately sit down and write a pop hit, all my songs would be pop hits! Let's put it this way. I play what I like to hear. And sometimes I like to hear something poppy, and sometimes I don't.
I didn't know why I was coming to this room. Someone just told me to go to Sam Raimi's office. I knew that I uniquely had the comics version of his job, which was to take Spider-Man and put him into the modern day. But I thought, "Maybe he wants to tell me to cut it out." So I come in, it's in his office, and then Stan Lee comes in, and I'd only ever met Stan as a fan, not as a professional. And then they sit us down on a couch, and roll in an AV cart with a TV on it and go, "We're going to show you the first cut of Spider-Man."
Imagine if somebody were to really sit down with Osama bin Ladin and say, 'Listen man, what is it that you're so angry at me about that you're willing to have people strap bombs to themselves, or get inside of airplanes and fly them into buildings?' That would be the miracle if we can get, sit down and talk to our enemies and find a way for them to hear us.
Sometimes I prefer when I can hear other people conduct my music so I can sit out and actually hear it. When you are in the middle of it, sometimes it's a little bit hard to hear and get the whole effect.
The only conclusive evidence of a man's sincerity is that he gives himself for a principle. Words, money, all things else, are comparatively easy to give away; but when a man makes a gift of his daily life and practice, it is plain that the truth, whatever it may be, has taken possession of him.
When you're listening to radio and hear the same 20 songs over and over and over, you want a break from it. Sometimes you don't want to hear something that sounds just like everything else on the radio. Eventually, if you hear the same sounds and the same musicians and the same mixes and all of that, it will start to sound like elevator music.
When I'm home on a break, I lock myself in my room and play guitar. After two or three hours, I start getting into this total meditation. It's a feeling few people experience, and that's usually when I come up with weird stuff. It just flows. I can't force myself. I don't sit down and say I've got to practice.
Well I mean I just sit at the piano and maybe figure out some harmony or melody or both. Sometimes you can hear it in your head. Sometimes you don't always have to write it down. You just write it down so you can remember it.
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