A Quote by Arthur Schopenhauer

Treat a work of art like a prince. Let it speak to you first. — © Arthur Schopenhauer
Treat a work of art like a prince. Let it speak to you first.
You must treat a work of art like a great man: stand before it and wait patiently till it deigns to speak.
We live under a prince who is an enemy to fraud, a prince whose eyes penetrate into the heart, and whom all the art of impostors can't deceive.
Art is not for the personal satisfaction of one or the other, but art wants to return all what's in life... Art wants to give back everything what's in our lives. The more comprehensive the artist stands in life the more powerful his work will speak, and therefore a work of art is a measure of the mental size of his creator.
You can treat musicians like actors - you give them a roadmap but don't tell them what to do, and let their personal style or interpretation speak in the piece. And in both film and music, you create a space where people feel safe to do their best. You treat songs like scripts that can be interpreted a lot of different ways.
I think that I would really like at first for the art to speak for itself. I don't see the need for a lot of personal information about my past or who I am. I would rather the personal side of it just be in the concepts and the genuine feelings that I filter through my work. I know that it's inevitable that people can find whatever they want about me. Once I've had a chance to create a language and a world with my art, then I'm more comfortable sharing that information.
I was like, 'Prince, prince. Prince Ali. People know that from 'Aladdin.' I'm a big fan of Muhammad Ali. I can't be Muhammad Ali. I'm looking up royal - Mustafa. Mustafa's a royal name. Prince Mustafa, OK fine.' Prince Mustafa Ali came from that, and it's an easier name for people to remember, too: Prince Ali.
The royals - all of them, especially Prince Philip and Prince Charles - have done outstanding work with the faith communities.
I do not know anything about Art with a capital A. What I do know about is my art. Because it concerns me. I do not speak for others. So I do not speak for things which profess to speak for others. My art, however, speaks for me. It lights my way.
I asked someone once why he liked Jean-Michel's work and why it was being singled out for acclaim, and he said, 'Because it looks like art.' But then again, art doesn't always look like art at first. The way the space shuttle that lifts off doesn't much resemble the space shuttle as it lands.
Prince is my favorite ever. I've liked Prince since... It's been a really long time. Even in junior high. I used to only like punk for a while, and I had all these rules for what kinds of groups were cool, and who was not cool, but as soon as I saw this one Prince video... It just broke all those rules. I was like, 'I love this no matter what.'
In most modern instances, interpretation amounts to the philistine refusal to leave the work of art alone. Real art has the capacity to make us nervous. By reducing the work of art to its content and then interpreting that, one tames the work of art. Interpretation makes art manageable, conformable.
We all agree now - by 'we' I mean intelligent people under sixty - that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves.
People like Dick Gregory, Paul Robeson, Harry Belafonte and Nina Simone show me what the definition of an artist is - it isn't just to make art but to speak truth to what's happening, speak beauty into the world, speak love into the world and also... get involved.
When you hear Treat's [ Williams] doing a movie, or you'd like to work with Treat again, you hope the script is good. And then you find out the script is good. You go and you do it for the fun of it. And you feel like you can be proud of something.
Prince was not scared. The first time I heard someone sing about AIDS, it was Prince: 'In France, a skinny man died of a big disease with a little name.' He was not afraid of taboos.
In 2007, when I first moved to Los Angeles, I got a call from Prince, and he had been watching my YouTube videos. It was crazy, because I thought it was my friend calling and pretending to be Prince.
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