A Quote by Arthur Symons
The gray-green stretch of sandy grass,Indefinitely desolate;A sea of lead, a sky of slate;Already autumn in the air, alas!One stark monotony of stone,The long hotel, acutely white,Against the after-sunset lightWithers gray-green, and takes the grass's tone.
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Green grass, green grandstands, green concession stalls, green paper cups, green folding chairs and visors for sale, green and white ropes, green-topped Georgia pines. If justice were poetic, Hubert Green would win it every year.
For 'tis green, green, green, where the ruined towers are gray, And it's green, green, green, all the happy night and day; Green of leaf and green of sod, green of ivy on the wall, And the blessed Irish shamrock with the fairest green of all.
Gray goes with gold. Gray goes with all colors. I've done gray-and-red paintings, and gray and orange go so well together. It takes a long time to make gray because gray has a little bit of color in it.
I stare at her chest. As she breathes, the rounded peaks move up and down like the swell of waves, somehow reminding me of rain falling softly on a broad stretch of sea. I'm the lonely voyager standing on deck, and she's the sea. The sky is a blanket of gray, merging with the gray sea off on the horizon. It's hard to tell the difference between sea and sky. Between voyager and sea. Between reality and the workings of the heart.
Silver flow the streams from Celos to Erui In the green fields of Lebennin! Tall grows the grass there. In the wind from the Sea The white lilies sway, And the golden bells are shaken of mallos and alfirin In the green fields of Lebennin, In the wind from the Sea!
Variations: II Green light, from the moon, Pours over the dark blue trees, Green light from the autumn moon Pours on the grass ... Green light falls on the goblin fountain Where hesitant lovers meet and pass. They laugh in the moonlight, touching hands, They move like leaves on the wind ... I remember an autumn night like this, And not so long ago, When other lovers were blown like leaves, Before the coming of snow.
The walls are white, the track is grey, the grass is green, and the sky is blue...your job is to keep them all where they belong.
The miracle of light pours over the green and brown expanse of saw grass and of water, shining and slowly moving, the grass and water that is the meaning and the central fact of the Everglades. It is a river of grass.
The miracle of light pours over the green and brown expanse of saw grass and of water, shining and slowly moving, the grass and water that is the meaning and the central fact of the Everglades. It is a river of grass.
Grass is the forgiveness of nature-her constant benediction. Fields trampled with battle, saturated with blood, torn with the ruts of cannon, grow green again with grass and carnage is forgotten. Streets abandoned by traffic become grass-grown, like rural lanes and are obliterated. Forests decay, harvests perish, flowers vanish, but grass is immortal.
The field was even greener than my boy's mind had pictured it. In later years, friends of ours visited Ireland and said the grass there was plenty green all right, but that not even the Emerald Isle itself was as green as the grass that grew in Ebbets Field.
I've tried doing so, for it was never my intention to paint only with gray. But in the course of my work I have eliminated one color after another, and what has remained is gray, gray, gray!
I grew up in Hong Kong, and London used to seem very gray: the sky was gray, the buildings were gray, the food was incredibly gray - the food had, like, new kinds of grayness specially invented for it.
In my head, the sky is blue, the grass is green and cats are orange.
In New York the sky is bluer, and the grass is greener, and the girls are prettier, and the steaks are thicker, and the buildings are higher, and the streets are wider, and the air is finer, than the sky, or the grass, or the girls, or the steaks, or the air of any place else in the world.
Stepped out into the cold, collar high, under the slate gray sky. The air was smoking and the streets were dry, and I wasn't joking when I said goodbye.
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