A Quote by Artie Lange
Artie is going to do what ever Artie wants to do.
Related Quotes
Artie travels all the time. The rehearsals were just miserable. Artie and I fought all the time. He didn't want to do the show with my band; he just wanted me on acoustic guitar.
I hate you! (Artemis) Don’t keep saying that, Artie. It’s cruel to get my hopes up. (Acheron)
Artie Shaw was way ahead of most clarinetists and most jazz players.
When I was 15, I made a solo record. It made Artie very unhappy. He looked upon it as something of a betrayal.
Artie is a singer, and I'm a writer and player and a singer. We didn't work together on a creative level and prepare the songs. I did that.
The marriages to Mickey and Artie were easy come, easy go. I called them my 'starter husbands!'
When we came into the studio I became more and more me, making the tracks and choosing the musicians, partly because a great deal of the time during Bridge, Artie wasn't there.
Despite his [Artie Shaw's] affectations of reclusiveness, he never tired of talking about himself, as countless long interviews reveal. I do not recall an anecdote he ever told me that was not in some way intended to convey a sense of his own superiority to everyone. . One wonders how a person of his character could produce such beauty.
It’s entirely up to you, Artie. He lives or dies by your word. (Acheron) No, akri! Don’t ask her that. She never let me have no fun. She a mean goddess! (Simi)
I think Bridge Over Troubled Water was a very good song. Artie sang it beautifully. The Boxer was a really nice record. But I don't think I've written any great songs.
Artie said it would be nice if we got married. I said it would be nice, too. The next thing I knew, we were on our way to Las Vegas.
I usually get involved in the interviews about the animators and the filmmaking in general, because I had a chance. I got to know, not only Marc Davis, but Frank Thomas, Artie Johnson, Ward Kimball, all these great animators, and just ask them all these questions about how they did certain things, what their trials and errors were, the ups and downs.
I dealt with men who had tempers, and who could get violent-Lord knows how I had to defend myself against Howard Hughes and Frank Sinatra, and from Artie Shaw's verbal abuse. But George [C. Scott] was a different category of animal when he got drunk. He'd break into my hotel room, which he did in Italy, London and at the Beverly Hills Hotel, attack me to where I was frightened for my life, and scream, 'Why won't you marry me?' Well, I would never marry a man who couldn't control his liquor. Me, I'm a happy drunk. I laugh, I dance. I certainly don't break bottles and threaten to kill.
Every player that I've ever been around that's worth a damn wants to be challenged and wants to be pushed, and wants to be coached hard, and wants to be held accountable.
We all know of course, that we should never ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever fiddle around in any way with electrical equipment. NEVER.
Everything I've ever learned about acting - and I went to theater school - was about playing what the character wants and throwing yourself fully into going after what the character wants.
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