A Quote by Arto Lindsay
I just had this notion that I wanted to do the most extreme thing I could and I also very consciously wanted to do something that was very different from Mars because we were all very close.
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I wanted to be different and original but still have it be something my fans could get into. There also are some big, beautiful ballads. I told my producers that I wanted tracks that are going to blow up in the clubs, but I also wanted songs that were very melodic and with a lot of instrumentation.
Walt had a seat-of-the-pants approach on what he wanted musically. We kind of 'read' the boss and had a very high batting average, but there were occasions when he felt we had just written the wrong piece for the situation he wanted. We invariably listened to what he wanted - he was very descriptive in what he wanted and we could read him. We'd go back to the drawing board and work out what he wanted. He was a great inspiration, but a tough taskmaster.
It was something very beautiful because we all had that interest. We were very close to all of the different groups of the time - the ones that we began to play with in the same venues - Maldita Vecindad, Caifanes, Botellita de Jerez. However, we were all very different, and each group had their unique way of expressing themselves; their own original voice. It was a very beautiful era of Mexican music, and the truth is that we are very fortunate to have been part of it.
It was always sort of my dream to make handbags and I wanted a handbag that was very sharp, very structured, very tailored I wanted a bag you could put all of your things in it, you can open it, you could close it, you could hid all your tricks, but it's not all lumpy.
It was always sort of my dream to make handbags and I wanted a handbag that was very sharp, very structured, very tailored... I wanted a bag you could put all of your things in it, you can open it, you could close it, you could hid all your tricks, but it's not all lumpy.
I was lucky that I started very young, since I had a very clear idea of what I wanted to do. But my father is very conservative, and he never considered fashion to be a real career but something I could pursue as a hobby. He wanted me to be a doctor, and at one point, I thought of becoming a plastic surgeon.
I wanted to create jobs and create something that had a very longstanding world-changing effect. We were close. We were close to getting there. It just fell apart.
For a while, I just thought that I wanted to be an illustrator because that's all I wanted to do. I also did some sculpting. It was always very artsy and very feminine, everything that I did.
Well before I was in a band, I wanted to be everything from a vet, an astronaut, an archeologist was a big one. It could be very wide-ranging because I had a lot of different interests including music so I'm very happy where I wound up.
I wanted to start something in New York that focused on making products locally, and because I'd just had my second child didn't want to be traveling halfway across the world anymore. The idea was to have something wearable that fit with my reality, which was being a mom with two young kids and not always wanting to wear jeans. I still wanted to wear interesting clothes, and the options out there I found were either very expensive or very cheap. There was a big gap in the middle.
I was very close to my father. At the age of ten I wanted to do plays, and my father was very encouraging. When I applied to different acting schools, he was right there and very supportive.
All I wanted was to live a life where I could be me, and be okay with that. I had no need for material possessions, money or even close friends with me on my journey. I never understood people very well anyway, and they never seemed to understand me very well either. All I wanted was my art and the chance to be the creator of my own world, my own reality. I wanted the open road and new beginnings every day.
We were spoiled in many ways, but we were always taught to understand the value of the dollar. If there was something we wanted, we had to earn it. Even in college, we were very fiscally responsible. I had 300 bucks a month; anything I wanted beyond that, I had to work for.
I wanted to make a film about my dad, a sort of love letter, and explain what I understood of his cinema, which was so utopian. I also wanted to give the sense of his cinema, because they have never been very big box-office, but they were very influential.
I knew what I wanted to do when I set out. I knew that I wanted to write a book that told the story, obviously. I wanted it be comedy first, because I felt like there already had been childhood druggy stories that were very serious, and I felt that the unique thing here was that I was a comic and I could tell the story with some levity, and I have been laughing at these stories my whole life.
I've always known that I wanted to be different. I wanted to stand out, so my gear is very elaborate, very blingy, very loud, because I want people to notice me, want to look like me. The Boss necklace, the ring. I want everything big.
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