A Quote by Arturo O'Farrill
I grew up in an environment with virtually no Hispanics where you see only people in your culture in custodial jobs. I had a messed up image of what we bring to this nation. My father was known as a pioneering figure in Cuban music, but I still associated him with everything that was negative in my neighborhood. I could not have been more mistaken.
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I grew up in New York. We were all diversified, as far as music was concerned. I grew up liking just about everything. So I tried to incorporate that into my playing, although the original school where I came from was Afro-Cuban music. But I liked all kinds of music -- I tried to bring that into everything.
People often talk about Hispanics. You know, I have more Hispanics come up to me telling me, 'Listen, I can't wait for your father to be president. He's gonna bring jobs back to the United States. He's gonna end the nonsense. He's gonna create good trade deals. He's gonna create better education. He's gonna create a better family structure.'
The Bronx, I remember, was a very poor neighborhood, but that was all that immigrants could afford at that time. Life was tough. I grew up - my father didn't have a job, but there weren't too many people who did have jobs.
I know when I grew up, it was, if it was daylight outside, get outside. Well, now, with the technological age of computers and everything, everyone's inside virtually going everywhere they want to go, virtually having relationships, virtually traveling across the neighborhood, virtually going to that island.
When I grew up, I had everything you could ask for, and I kind of didn't appreciate it. Because it was a given for me. Everybody that grew up in my neighborhood was going to have an opportunity to go to college. I took that for granted. I always regret that.
I grew up in Mountain Pine, Arkansas. You get no more country than where I grew up. But I also grew up in the Napster / iTunes / Spotify/ iHeart Radio era, and so I see that everything is influenced by everything else, and that's what country music is now.
I've always liked monster movies and I've always been fascinated by - again, growing up in a culture where death was looked upon as a dark subject and living so close to Mexico where you see the Day of the Dead with the skeletons and it's all humor and music and dancing and a celebration of life in a way. That always felt more of a positive approach to things. I think I always responded to that more than this dark, unspoken cloud in the environment I grew up in.
When I sit here and see that the eight brothers from the neighborhood that I grew up with still have success, it had to be magical.
I grew up in my neighborhood with salsa, of course bachata, but also hip-hop, Nirvana - it was just like a mixed culture. It was a beautiful thing for me because at the moment I started creating music, having all these different sounds and elements, it was very organic because I grew up with all these types different music.
My father was a negative person. He actually taught me to be negative, if that makes any sense. I remember him saying: 'You know there's no point in expecting anything good to happen because it won't.' I grew up in such a negative atmosphere.
I grew up in East Flatbush, Brooklyn. At the time I was growing up with my father - before it was gentrified - it was a very rough neighborhood. He felt that if I got into or started embracing the rap culture, I would be one step closer to being on the streets.
We need to heal the environment - that's a big thing - because we messed it up and we have a responsibility to heal and clean up what we have messed up before we think about leaving here. We can't really heal the outer environment on those levels until we heal our families.
When I grew up, I lived in a neighborhood that had social clubs. It's never delightful to glamorize one's youth. My neighborhood was poor. But people felt part of the neighborhood. This was in Rockaway Beach, Long Island.
I think, growing up in a small town - I grew up in a lot of different places. I grew up in a city environment, a more suburban environment, a more rural environment. That's the beauty of New Jersey is you get a lot of different types of living.
Cachao is obviously Cuban. He's known for traditional Cuban music and that's the music that I'm most passionate about. Cachao is one of the greatest innovators and visionaries. At the base of the tree, the roots, there is Cachao. So I was blessed to have had that time to learn from him and to give him an opportunity and a space where he can create. Everybody always wants to play with Cachao, because he's the guy.
Up until then it had only been himself. Up to then it had been a private wrestle between him and himself. Nobody else much entered into it. After the people came into it he was, of course, a different man. Everything had changed then and he was no longer the virgin, with the virgin's right to insist upon platonic love. Life, in time, takes every maidenhead, even if it has to dry it up; it does not matter how the owner wants to keep it. Up to then he had been the young idealist. But he could not stay there. Not after the other people entered into it.
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