A Quote by Arundhati Roy

India is still flinching from a cultural insult, still looking for its identity. — © Arundhati Roy
India is still flinching from a cultural insult, still looking for its identity.
The identity of just one thing, the "clash of civilization" view that you're a Muslim or a Hindu or a Buddhist or a Christian, I think that's such a limited way of seeing humanity, and schools have the opportunity to bring out the fact that we have hundreds of identities. We have our national identity. We have our cultural identity, linguistic identity, religious identity. Yes, cultural identity, professional identity, all kinds of ways.
I think I started writing about identity, and I used to believe that identity is the story. But now I'm not so much subscribed to that. I mean, with 'Mr. Fox,' it has a feminist agenda as well. And so, as I sort of been away from writing about identity, I still feel that kind of tug of roots and, you know, cultural background.
India is a curious place that still preserves the past, religions, and its history. No matter how modern India becomes, it is still very much an old country.
Sadly, at a time when so much sophisticated cultural criticism by hip intellectuals from diverse locations extols a vision of cultural hybridity, border crossing, subjectivity constructed out of plurality, the vast majority of folks in this society still believe in a notion of identity that is rooted in a sense of essential traits and characteristics that are fixed and static.
I was so overwhelmed by India when I first came - it still inspires me because I still go for the culture, I still go for the colors.
What difference does it make whether you're looking at a photograph or looking at a still life in front of you? You still have to look.
I want to try different genres. I think I'll still be looking at a strong female character in the center, and identity struggle and transformation.
By looking at the suffering when I went out to India, I saw how people had nothing and were still trying to be happy.
I still think a reasonable question is, would we be better off with [Muamar] Gadhafi and Bashar al-Assad still in there and Mubarak still there and Saddam [Hussein] there than the crap we have got looking at us now?
I’m not comfortable in this stadium,” I explained, trying to look calm. “I know. And you hate Fang looking at those girls. But we’re still having fun, and Fang still loves you, and you’ll still save the world. Okay?
I can still boss people around. I can still write. I can still read. I can still eat, and I can still have very strong views.
I like creating these moments where there's this dichotomy between something that repels you but is still so attractive that you can't stop looking. You still want to acquire it; there's still that level of aspiration for the image of the figure or the person you're looking at. when you look at the work there's this, "Oh it's really beautifully rendered!" or, "I love those beautiful tones." There's some aspect that's really attractive but the image itself could be slightly distributing.
It is the pride to play for India that keeps me going. Not many get a chance to play for India and I feel very fortunate to be still playing. The will to do well for India is a big motivation.
When I was a kid, I wasn't looking at the small-budget films myself. I was looking at 'James Bond' and all the major films, so I still have that energy. I still love those films.
I've left the Church - for many reasons that I've written about publicly - but it's still a large part of my identity, and I still have my faith, if not my Church.
When I started snowboarding, I was looking for success to bring me identity. I still love to win, but at the same time, I don't need the X-Games to show me who I am.
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