A Quote by Arundhati Roy

I am an artist and a writer, and I do think that one always places oneself in the picture to see where one fits. — © Arundhati Roy
I am an artist and a writer, and I do think that one always places oneself in the picture to see where one fits.
I am an artist and a writer, and I do think that one always places oneself in the picture to see where one fits. I left home when I was sixteen and lived in places where it was very easy for me to have fallen the other way. I could have been on the large convoy because I was a woman and I was alone. In India, that's not a joke. I could have ended up very, very badly. I'm lucky that I didn't.
The trick is to paint a picture that doesn't exist, and yet that fits perfectly into an artist's body of work.
There is the intent of the writer and the interpretation by the artist. What the writer intended and what the artist interprets is not a 1-to-1 translation. It's a crossing of ideas that generates the stories that you see in print.
We with Komplizen Film believe very much in the writer-director and in the freedom of a filmmaker. I think it's always good to be involved where you spend the money. Filmmaking, you see in the picture what the money's spent for. I never had to leave a phase of filmmaking before being really happy, and that was really a big luxury. That could happen, I think, because I am my own producer.
I think one of the things that I took from Mel [Bochner] specifically was his ability to look at oneself and one's relationship to the history of art and the practice of art at arm's length, the ability to sort of clinically and coldly remove oneself from the picture and to see it simply as a set of rules, habits, systems, moving parts.
Being an artist, I had an artist's instincts.You can see the picture before it's taken; then it's up to you to get the camera to see
I have found that the many imbalances within our individual lives result in an overall more worldly balance. What I mean is that no matter how unfair I think something is, I need only look at the bigger picture to see how, in a way, it fits... however impossible it is to understand it or see it at the time.
Writer-directors are a little bit more liberal, rather than having just the writer on the set, because I think sometimes the writer becomes too precious with the words. If you're a writer-director, you can see what you're doing and see your work in action, so I think you can correct it right there and still not compromise yourself.
I am a writer. I suppose I think that the highest gift that man has is art, and I am audacious enough to think of myself as an artist - that there is both joy and beauty and illumination and communion between people to be achieved through the dissection of personality.
Probably the most potent desire for a painter, an image-maker, is to see it. To see what the mind can think and imagine, to realize it for oneself, through oneself, as concretely as possible.
I think through living one's life, one both changes and remains the same. One can see it either way, one can see oneself as being now what one was and one can see oneself as being absolutely different from what one was. It's a trick of thought.
I write a lot and I will have some originals on the record. I think it is a mistake for an artist like me to think I am a better writer than Cole Porter. I think it is important to realize what my strengths are. I do like to write and I'm not shabby but I don't think I'm the most brilliant writer. I think it would be a shame and sort so egotistical to say I don't need these wonderful writers. These men created works of art and wrote hundreds of beautiful songs. It would be a mistake for me to say at this point in my career that I am so good.
I think the rap community always tells the truth. And I think that it's important that we listen to their voices so we can have a roadmap, because artists - almost every single artist in hip-hop, they paint a picture of society that's overlooked. The misogyny, the racism, the violence, the homophobia, these are things that we try to avoid instead of dealing with. All of that I see it so often.
I always think, 'What does this picture mean? What's the best place to put my camera? Do I have anything extra in the picture, things in the background that will distract? Am I in the basic position that will give the essential things for this picture but not too much?'
I think, as a writer, you see the big picture, and as an actor, you're thinking of all the minutiae, all the very small details.
Some things you forget. Other things you never do. But it's not. Places, places are still there. If a house burns down, it's gone, but the place--the picture of it--stays, and not just in my remory, but out there, in the world. What I remember is a picture floating around out there outside my head. I mean, even if I don't think if, even if I die, the picture of what I did, or knew, or saw is still out there. Right in the place where it happened.
This site uses cookies to ensure you get the best experience. More info...
Got it!