A Quote by Arvind Kejriwal

I want to make Delhi a place where people of all religions feel safe. — © Arvind Kejriwal
I want to make Delhi a place where people of all religions feel safe.
I want a space for people to feel safe and be creative. Actors want it, too. They want to feel like they're listened to, and they're safe to experiment.
It is really sad, as Delhi is our capital and one of the most beautiful places in India, but if a city can't make its women feel safe, then everything else is worthless.
There was a place I visited in Lahore that felt to me like old Delhi, and I'm sure Pakistanis who come from Lahore to Delhi feel the same.
If you are known to do something well, people want to see you do that. But what you choose to do is up to you. After 'Delhi Belly,' I got some 40 scripts - some on the same lines as 'Delhi Belly.' So, I guess people only get stereotyped if they want to.
I think it's really important, especially with the work space, to create a place that makes people feel creative, where they feel safe, and they feel like they're instantly connected.
Violence is a problem we all want to solve. I want to make sure that kids learn to deal with anger by learning how to talk with people to solve problems. Here in the United States Senate I want to make sure we have safe schools, safe neighborhoods and good things for kids to do after school!
I have lived my whole life in Delhi. I used to live in Rohini and then I moved to Munirka. I have seen north and south Delhi very closely. That's why my songs and raps have a Dilli waali feel to it. Delhi made me who I am today and I am proud of it.
I was born there and I moved away in 1990 when I was seven years old. After that my family moved away from there to Delhi and Mumbai. Now, only a handful of relatives live in Kashmir and we are constantly worried about them. It pains me to see that my birth-place is not a safe place to be in anymore.
Audiences like to be made to feel that there is a world where things go right: where big emotions can happen and yet feel safe. This is why there is a constant tension in Hollywood between studios who want happy endings and writers who want to explore the human condition. There is a time and a place for both!
The reason I make music is so that I can influence people and inspire people, but I also want to make music that I feel happy about and that I feel is good. The challenge, which is why it's worth keeping going, is to constantly strive to figure out where the meeting place is.
It wasn't just like, "I want to make a record that sounds like classic rock" at all. It was more like, "I want to make a record that is a little more unsettling and maybe isn't as easily understood now." That just seemed more important, like, for me to make as an artist, than it was to make something to make people feel safe right away.
When I think about people coming out, especially young people, my first concern is, 'Are you safe? Is this a safe time? Are you in a safe place?' Do you have a network of people outside of your parents you can go to if this doesn't go as well as you hoped?
The world can only seem a safe place when we feel safe inside.
I see so many people living in a bubble. They want to be safe, they want their kids to be safe, and they want their friends to be safe. And I get that. That's awesome and really admirable. But life is not about who gets out the cleanest at the end, or who's the most well-preserved and healthiest.
People tend to treat people with disabilities sort of like they're aliens from another planet. It doesn't come from a bad place; it comes from a place of, 'I have no idea what this disability entails, and I don't want to offend anyone or make them feel awful.'
I kept these games pretty intimate. You know, with this much money on the table, with this much risk, you wanted to make people feel safe. They don't want to feel like they're part of a spectator's sport - well, the winners do, but the losers do not.
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