I see men assassinated around me every day. I walk through rooms of the dead, streets of the dead, cities of the dead; men without eyes, men without voices; men with manufactured feelings and standard reactions; men with newspaper brains, television souls and high school ideas.
It will startle you to see what slaves we are to by-gone times-to Death, if we give the matter the right word! ... We read in Dead Men's books! We laugh at Dead Men's jokes, and cry at Dead Men's pathos! . . . Whatever we seek to do, of our own free motion, a Dead Man's icy hand obstructs us!
"Surely so many countries can't all be worth dying for." "Anything worth living for," said Nately, "is worth dying for." "And anything worth dying for," answered the sacrilegious old man, "is certainly worth living for."
I want everything we do to be beautiful. I don't give a damn whether the client understands that that's worth anything, or that the client thinks it's worth anything, or whether it is worth anything. It's worth it to me. It's the way I want to live my life.
By bells and many other similar techniques they (schools) teach that
nothing is worth finishing. The gross error of this is progressive: if
nothing is worth finishing then by extension nothing is worth starting
either. Few children are so thick-skulled they miss the point.
I want everything we do to be beautiful. I don't give a damn whether the client understands that that's worth anything, or that the client thinks it's worth anything, or whether it is worth anything. It's worth it to me. It's the way I want to live my life. I want to make beautiful things, even if nobody cares.
Nothing is dead: men feign themselves dead, and endure mock funerals and mournful obituaries, and there they stand looking out ofthe window, sound and well, in some new and strange disguise.
I'd like to protect children, too, but... is everything worth sacrificing to that? I mean, drugs have done a lot of good... They've midwived a lot of good ideas... lot of great songs, you know? I think "Penny Lane" is worth 10 dead kids... I think Dark Side of the Moon is worth 100 dead kids. There, I said it.
The reason why congregations have been so dead is, because they had dead men preaching to them. O that the Lord may quicken and revive them! How can dead men beget living children?
I was a hero, and a second afterwards it was all over. Casartelli was dead so what I had achieved was worth nothing.
If there is anything worth serving, it's this love. If there is anything worth being, it's this love. If there is anything worth talking about it's this love. If there is anything of real value it's this love.
Goth is dead, punk is dead, and rock n' roll is dead. Trends are dead. Nothing exists anymore because the world is spinning faster than any trend.
I have been merely oppressed by the weariness and tedium and vanity of things lately: nothing stirs me, nothing seems worth doing or worth having done: the only thing that I strongly feel worth while would be to murder as many people as possible so as to diminish the amount of consciousness in the world. These times have to be lived through: there is nothing to be done with them.
A lot of good has come from drugs. I think 'Penny Lane' is worth 10 dead kids. Dark Side of the Moon is worth 100 dead kids. Because a lot of kids wouldn't even be born if it weren't for that album, so it evens out.
An idiot will do anything, no matter how stupid, because he is afraid of what everybody will think of him if he does nothing. A genius, on the other hand, is content to do nothing, no matter what people think, if he can’t find anything worth doing.
There are three difficulties in authorship: to write anything worth publishing, to find honest men to publish it, and to find sensible men to read it.