A Quote by Asa Butterfield
When you're hanging there twenty feet off the ground, surrounded by green screen, and all you've got is the other actor and the wonderful Gavin Hood shouting instructions at you as to what's going on; it's a really unique experience.
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And it was out in the theaters in two weeks. This is not, 'We're going to develop twenty-five and maybe one's going to get made,' so the first three things I wrote got up on the screen and, good, bad or indifferent, I got to see them on their feet.
If you give an actor a green screen, the shot may work, but that green screen will not inspire you on the set as a director or as an actor.
Green screen, you know, it's been interesting, it's my first time to ever work with green screen technology, and it's, sometimes it can be really boring because you're like wow, I've got to really imagine all of this stuff around me. But it's low maintenance, which is nice, um, and it's not as hard as I thought it would be, so.
My family can tell you I'm not really a guy that likes roller coasters. I don't like going on Ferris wheels. I've got a six-feet rule; I like my feet no more than five, six feet from the ground at all times.
We were all in love with the club. We went to bed with Sampdoria pajamas on, while going to the Bogliasco training ground in the morning was always a joy: the blue of the sea on one side, the green of the hills on the other. Wonderful.
I have a great respect for the moviegoing experience. It's such a unique thing. You're not getting up and walking around the house or flipping channels during the dull parts. You're in a dark space, and the movie fills most of your field of vision. You're surrounded by sound, and the colors are deeply saturated, and faces are fifteen feet high. If it's done well, you're really going to feel some big emotions or have some big belly laughs.
You always hear about the disempowered actor, their fate in other people's hands. It's just really wonderful to experience it the other way around.
I think I'd rather do [acting] in the real place. It requires different things, working with green screen, but its an imaginative exercise anyway, the whole business of acting, so it just gives you a bit more to feed the imagination. Unless it's really silly, just two of you stuck in a space with nothing but green screen that's got to be pretty difficult.
You can always tell when an actor has grown a 'rhino skin' to protect themselves. It comes across on screen, and they aren't believable. They're dead in the eyes because they've been told a million times that they're the greatest actor that ever lived. If you don't realise what's happening, and get your feet back on the ground, it can be the worst thing that ever happens to you.
Detainees were not allowed to talk to each other, but we enjoyed looking at each other. The punishment for talking was hanging the detainee by his hands with the feet barely touching the ground.
Regarding green screen, green screen is really like doing some stage work. You have to make believe that there is a window, make believe that something is there that is really not there and convince the audience. It's part of acting.
What happens is when you have a kid, you are a unique human being, so you are going to have a unique experience. No one can really tell you what youre going to feel.
Society evolves not by shouting each other down, but by the unique capacity of unique, individual human beings to comprehend each other.
You can't depend on the exposure of a TV screen to keep your feet on the ground and your food tasting delicious. You've got to push yourself.
It has been extraordinary, wonderful, I've been three feet off the ground since I made that first record.
'Trap Lord' is basically the writer of the hood. It's the kid that's from the hood, from the trap, who's going to preach to his friends and his homies. Because they're not going to sit in no church. So they listen to me instead of going to a church, because I understand them, and that's really what the 'Hood Pope' is.
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