A Quote by Asa Butterfield
For me, not just the character of 'Ender', but the whole world is so beautifully crafted in the novel that I wasn't sure how it could be brought to the screen - but Gavin has done it justice, and he's done it amazingly.
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[On Doctor Strange] just from costumes to everything was just so well done, so beautifully thought through and well-crafted. And so - , and they didn't even make me pretend that much with green screen.
One of the things that I really enjoyed playing with Ender was how he's constantly struggling between his brother and his sister. It's like he's got two sides to him. And I've always wanted to play a darker character, and in this film and in the novel, Ender has his moments where he isn't a glorified hero.
'How to Train Your Dragon,' the first one, was a film I'd seen prior to being approached for the sequel. I don't often watch family animated movies, but it's one that I loved and thought was really well done: beautifully crafted storytelling.
The graphic novel? I love comics and so, yes. I don't think we talked about that. We weren't influenced necessarily by graphic novels but we certainly, once the screenplay was done, we talked about the idea that you could continue, you could tell back story, you could do things in sort of a graphic novel world just because we kind of like that world.
If I had a bowler hat, I'd take it off to the author of this beautifully crafted steampunk novel.
In reading a novel, any novel, we have to know perfectly well that the whole thing is nonsense, and then, while reading, believe every word of it. Finally, when we're done with it, we may find - if it's a good novel - that we're a bit different from what we were before we read it, that we have changed a little... But it's very hard to say just what we learned, how we were changed.
I feel very strongly influenced by long-form box-set TV drama... I feel really excited that, at last, the novel has found its on-screen equivalent, because the emotional arcs and changes that you can follow are just so much more like a novel, and so many amazing shows recently have done as much as film can do to show the interior world.
I bobbed and weaved through my career. And in hindsight, though I'd like to say it was a plan - it was not - the bobbing and the weaving gave me a broad base from which to become an executive who could say, 'OK, I've done this, and I've done this, and I've done this.' And nobody could BS me, because I'd done most of it.
I tend to like strong female characters. It just interests me dramatically. A strong male character isn't interesting because it has been done and it's so cliched. A weak male character is interesting: somebody else hasn't done it a hundred times. A strong female character is still interesting to me because it hasn't been done all that much, finding the balance of femininity and strength. [From a 1986 Fangoria interview]
Remember how small the world was before I came along? I brought it all to life: I moved the whole world onto a 20-foot screen.
The DNA of the novel - which, if I begin to write nonfiction, I will write about this - is that: the title of the novel is the whole novel. The first line of the novel is the whole novel. The point of view is the whole novel. Every subplot is the whole novel. The verb tense is the whole novel.
Well, I had done nudity in one other thing, but nudity for an actress is a very particular thing. It has to do with the material, and making sure it's not gratuitous, that it's done in a way that's shot beautifully, and it's for a reason. And I'd never played a lesbian before.
I don't regret how I built the Cruiserweight division. Could I have done better? Sure. Absolutely. I'm sure I could have, especially with 20/20 hindsight. I just don't know of anybody that I talk to that looks back at that division and says, 'Oh, man, that sucked.'
Literally everything that could be done with the 'Justice League' has been done with the 'Justice League.'
And remember, child, that nothing is ever done beautifully, which is done in rivalship; or nobly, which is done in pride.
My favourite character in fiction was probably either James from 'James and the Giant Peach' or Ender from 'Ender's Game.' They were just ordinary people who were living under various amounts of struggle, and just to follow their journeys and see them break out of that and live extraordinary lives - I think that gave me a lot of hope as a kid.
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