A Quote by Asa Larsson

Because you're a crime writer you're asked to have a point of view on a lot of things, and I'm uncomfortable having public opinions on things that are not my professional area.
One of the advantages of having gone to Penn State was having had a scholar for a mentor - Philip Young. Also, a professional writer named Philip Klass taught there. He was a science fiction writer whose pseudonym was William Tenn. As a professional writer, he brought wisdom to teaching because he'd done it for a living.
I learnt a lot from a psychological point of view about having to move on and flush things and not live on previous mistakes.
Animation is a fascinating area from an acting point of view because it's not really like anything else because you are only providing a portion of the performance. That's very inspiring and it forces you to do things in a different way - to tell stories through your voice.
I take a biocentric point of view. I look at things from the point of view of the Earth and the laws of ecology. As opposed to the anthropocentric point of view, where everything revolves around humanity.
If I was asked to do a film that was just trying to sell a political point of view or religious point of view, I wouldn't do that because that's a bad script.
The things that I have done that haven't been as successful have been things that have been largely out of the public view, which is great. It's terrible, when you're a theater writer, to have a big flop publicly.
The great thing is the thing of being able to see things through many points of view. That's enlarging. I mean, it saves you from ultimately from the boredom of having one point of view, like being locked in a room with nothing but your own point of view, your own references.
At Walsall I got away with a lot of things because I was the young star and they wanted to sell me from a business point of view.
There's many things that I am. And all of those things come together at some point. If somebody wants to limit me, you know and they'll say, 'Well, this is Walter Mosley, the mystery writer.' I don't like that. Because I do many things.
I actually don't have...opinions. I'm not being secretive about anything. I just actually don't have opinions about society. I can discern that certain things have an effect on certain other things but I don't view those effects as good or bad.
I quizzed him a lot on this point and i suspect the truth was that it was like a lot of things at that age: you don't have any clear reason, you just do it. You do it because you think it might get a laugh, or because you want to see if it'll cause a stir. And when you're asked to explain afterwards, it doesn't seem to make any sense.
Of the whole public not a handful can understand the artist's point of view or the writer's conscience.
It's joyful in that there's another point of view on all things, you know, not just mine. That's why I like to write and collaborate with people. There's another point of view, and when those two things come together, and people work at it really hard, they get something that is the whole is more than the sum of - is that how you say that?
You see, in my view a writer is a writer not because she writes well and easily, because she has amazing talent, because everything she does is golden. In my view a writer is a writer because even when there is no hope, even when nothing you do shows any sign of promise, you keep writing anyway.
There are definitely challenges that come with being the only woman in any room, and on a show like 'The Breakfast Club,' with strong opinions, it can be hard to get the guys to see things from my point of view.
I swing both ways. I can see things from a kind of conservative point of view and from a more socially liberal or left-wing point of view.
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