A Quote by ASAP Ferg
With 'Dope Walk,' I wanted to bring back kids dancing and having fun again. That's how it used to be in Harlem. I remember everybody Harlem-shaking and 'Chicken Noodle Soup'-ing. Those were some of the most fun and memorable times in my life.
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When you look at Harlem - and I lived there almost five years - most of the people who live in Harlem are transplants. They migrate to Harlem from another place. A lot of them are from the south, so they bring those southern influences with them.
Harlem is really a melting pot for a lot of different people. When you look at Harlem - and I lived there almost five years - most of the people who live in Harlem are transplants. They migrate to Harlem from another place.
I used to walk in the burnt up Harlem of the '80s, and I'd look at brownstones that were dilapidated or apartment buildings, thinking 'Whoever designed this and built this did not want it to look like this.' So, I used to visualize one day being able to contribute and build in Harlem.
I love those kids on 'The Suite Life of Zack and Cody.' I remember when they were little they looked like they were having so much fun just being kids. And that's how I was growing up and how I try to be.
My peers at the time: you know, young black kids from off the streets of Harlem, having these conversations with me in my small, dirty little studio up in Harlem.
After my first video, I went out and had chicken noodle soup with my sister and manager. We were like, 'How rock n' roll are we? Celebrating the first video with chicken soup.'
Everyday I eat some soup. This is part of our culture - our mommies and grammies make it, and at any restaurant in Serbia, you can go in and find some soup. There might be minestrone, butternut squash, chicken noodle soup, tomato soup, mushroom soup, lamb soup. Whatever you can find, you can make a soup with that.
Melting pot Harlem-Harlem of honey and chocolate and caramel and rum and vinegar and lemon and lime and gall. Dusky dream Harlem rumbling into a nightmare tunnel where the subway from the Bronx keeps right on downtown.
I'm sort of obsessed with Harlem. Just its history. My father did the music for a play called 'The Huey P. Newton Story,' and they did a lot of work in Harlem. So as a little girl, I spent a lot of time in Harlem Library.
I only do this because I'm having fun. The day I stop having fun, I'll just walk away. I wasn't going to have fun doing a teen movie again. I don't want to do this for the rest of my life. I don't. I don't even want to spend the rest of my youth doing this in this industry. There's so much more I want to discover.
Sara Blair's Harlem Crossroads is an important addition to the body of literature that currently exists about Harlem. It brilliantly illuminates the complex relationship between photographic representation and race, and adds new insight into the ways in which this one black community has figured in both the critical and public imaginations. Harlem Crossroads is a tour de force.
When I arrived at Campbell on January 8, 2001, the company had lost half its market value in the prior year. They had to cut costs to the point where they were literally taking the chicken out of chicken noodle soup and the product was no longer competitive.
Harlem's streets lead backward, into history, straight to a work such as 'This Was Harlem.'
I don't know who I would be if I weren't this child from Harlem, this woman from Harlem. It's in me so deep.
As long as black people preserve their culture in Harlem, Harlem will always be alive.
I was able to get along with everybody. I really enjoyed all of those guys. They were unique in their own ways, and I think that's what made the sport fun. We had a great time laughing and having fun.
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