A Quote by ASAP Rocky

I remember one time I went to Craigslist to find something; that's how bad I wanted it. It was a pair of Raf Simons - this was like 2010. But Raf said he was going to make them for me.
Aeroplanes interested me, and at the outbreak of the Second World War, I joined the RAF as a volunteer reservist. I took the opportunity of studying the books which the RAF made available for radio mechanics and looked forward to an interesting course in radio.
I've never seen Ralph Lauren, Rick Owens, or Raf Simons described as white designers. They are just designers.
My father, who was a sergeant in the RAF during the Second World War, was killed in a hitchhiking accident while returning home on compassionate leave. As a result, my mother had to get work, as a nurse, and at seven the RAF put me into a boarding school and ex-orphanage called the Royal Wolverhampton School.
At LVMH, we have amazing heritage brands, and we put interesting talents in those brands, sometimes very young, like we did at Givenchy with Riccardo Tisci at the time, or like we just did with J.W. Anderson at Loewe, but also talents that are already further along in their careers, like Raf Simons at Christian Dior or Nicolas at Vuitton.
I got into boxing for two reasons. One was that my father was a boxer. Secondly when I was young, all healthy men in the UK had to do two years "National Service" in one of the armed forces. I chose the Royal Air Force over the Army and Navy. My father's reputation went before me and therefore the RAF encouraged me to box. There is much rivalry in sporting competitions between the Army, Navy and RAF. Competing has great privileges. I didn't need too much encouragement with all these perks being offered, so I started training with a vengeance.
As a journalist, I cannot help imagining with excitement a new era with a face-off between Hedi Slimane at YSL and Raf Simons at Dior - a magnificent battle of style and wills to echo the Armani/Versace, Gucci/Prada or even Chanel/Schiaparelli face-offs of earlier years. But I remind myself that this is not a game of chess.
It was the rootlessness that went with being the son of an RAF officer that shaped me. I had been to 11 schools by the time I was 9.
Acting was never part of the plan - at one point I wanted to be an RAF pilot, but I wasnt made of the right stuff.
The RAF allowed me to play a lot of football, but like England later, they failed to recognise real talent when it was under their noses.
My dad was in the RAF, so we travelled quite a lot. My memory's not the best - I remember we lived in Belgium for a bit - but I grew up in a village called Compton in Newbury.
My education was paid for by the RAF Benevolent Fund, so a charity school, run like an orphanage, with uniforms and beatings. It was tough, but it got me to Cambridge - like being a chrysalis suddenly becoming a butterfly.
I remember seeing Extreme play with [Debra] Winger and Cinderella. Gary Cherone was wearing purple velvet overalls with no shirt and saddle oxfords.Afterward, I went home and told my mom, "I need to find saddle oxfords." And she said, "Like little girls wear?" Naturally, I couldn't find them in my size, so I went to a shoemaker and had him make me a pair. I wore them for a while, but they didn't seem as cool on me, because when your foot is size 12, they sort of look like clown shoes.
Before Michael Caine you had to have been in the RAF to be an actor.
My mother was a stay-at-home mum and my father was an RAF pilot.
I thought I'd join the RAF and become a wing commander. I realised this wasn't possible, although I do have a pilot's licence.
I remember going to the Gap when I was in the fifth grade, and I desperately wanted a pair of blue jeans. I was with my dad, and I remember picking up the jeans, looking at them, and thinking that they had to fit me. But there was nothing that fit me. This was before the age of stretch, so I was trying on adult Gap.
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