A Quote by ASAP Rocky

But for real, for me, I feel like with the red lipstick thing it all depends on the pair of complexion. I'm just being for real. You have to be fair skinned to get away with that.
As a fair skinned blonde, I disappeared into the background. I've always been a loner, so I suppose dyeing my hair red was a way to say, 'I'm here, I exist, I'm a human being and you can't just push me aside.'
If gay marriage is a real thing, gay infertility must be a real thing. It's not fair. I mean, it wasn't fair they couldn't get married, and now it's not fair that they can't have babies, even though they're not infertile, that doesn't matter. And so there must be access to infertility insurance for married gay couples, if our culture and if our society is to be fair and equal for one and all, and it is coming, and don't laugh about it.
The dozens of people working on this at Digital Domain, they knew that you couldn't get away with almost photo real, because we had real real in the room. You have real real in the cut every four or five shots, so you have this constant yardstick built into the footage by virtue of there being no real robot there. So it became the standard of photo reality that the VFX team had to match.
When I'm wearing red lipstick, I'll never do anything with my eyes. And it's so easy - you just put on red lipstick, and your whole face just seems done.
Love, being in love, isn’t a constant thing. It doesn’t always flow at the same strength. It’s not always like a river in flood. It’s more like the sea. It has tides, it ebbs and flows. The thing is, when love is real, whether it’s ebbing or flowing, it’s always there, it never goes away. And that’s the only proof you can have that it is real, and not just a crush or an infatuation or a passing fancy
On a couple of occasions I wore dark red lipstick, and nobody likes me in red lipstick!
Let's put the cards on the table. Real is real. If I was a different complexion, I think people and fans would treat me a different way.
If I'm writing with or for someone else, it just has to feel true and real for them. It has to feel like they're being honest. If it's for myself, it's the same thing. It has to be something I can mean when I say it.
I'm pretty sure I could've ended up on 'Real Housewives of Orange County.' They need a fair-skinned redhead.
At some point, you have to disconnect, if the obsession with playing a real person gets in the way of the movie at large. At the same time, we're all interested, as actors in trying to get as close to the real thing as we can, and whatever you can do in order to create that transformation feels fun and, for me, the furthest I can get away from myself is fun. It's all part of the costume, the accent, and all that stuff. It's about trying to get close without it being a detriment to the point of view of the story that you're trying to tell.
I like to write about real people, real crimes. But what has increasingly come to interest me, and also appear to me as a challenge, is the idea of doing strange things with what is real. Take what is real and make it more or less real.
I want everything, no matter what concept or genre, to feel real, because it is real. I want to keep making real music, I hope people remember me for that, that's a good thing to be remembered for.
I've won fair-play prizes, but that's just my nature, my character. This is who I am, and I do not feel the need to hide the real me.
With WesTrac, you have real people doing real jobs with real problems and real opportunities, and you touch the metal, and it's like being grounded.
I feel like I'm real honest in my music. Even if it ends up being an exaggeration or a fantasy, it's a fantasy that's real to me.
Never mind. Point being that you don't have to get too worked up about us, dear educated minds. You don't have to think of us aas real girls, real flesh and blood, real pain, real injustice. That might be too upsetting. Just discard the sordid part. Consider us pure symbol. We're no more real than money.
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