A Quote by ASAP Rocky

People don't make albums any more. It's always about singles. I wanted to take that old-school approach. — © ASAP Rocky
People don't make albums any more. It's always about singles. I wanted to take that old-school approach.
I don't believe in singles. The singles market has changed. I am trying to get back to the old days of releasing albums at will, like Star Wars coming out again.
Now we're in an age of singles. It's actually always been more about singles for most of music history.
What I love about making albums in the 21st century is that so few people buy albums! I can make an album without any commercial concerns whatsoever.
Well, you know, back then there wasn't many albums, it was the singles. You sold singles.
I find the fact that so few people buy albums to be strangely emancipating. There's absolutely no reason for 99% of musicians making albums to think about actually selling albums. So as a musician you can just make an album for the love of making albums.
I've always been a bit of a Jekyll and Hyde. I always feel that you should keep singles as commercial as possible so that the people can walk down the road and whistle a song. But on the other hand on albums I think you can afford to show people what you can do.
I used to ride the school bus to school and just listen to music with my headphones. I'd stick my head out the window and just think about how much I wanted to be a singer. I always wanted to do it, but I think I was always in the wrong place. I didn't really have any opportunities. So I left LA four years ago and I really just left my old life behind. I threw everything into pursuing music.
I wanted to make something that reminded people of the way albums used to feel. I wanted something as good as the stuff put out by the Bomb Squad, or Dr. Dre and his production crew, or 'A Tribe Called Quest.' I miss albums like those.
I want to build a fanbase. I want people to like my albums even more so than singles.
It's always weird when people approach me to make an investment. I tell them, 'I don't need any more money. I'm good.' Then I wait for their expression. That part is entertaining, because people look at you like you're crazy when you say you don't need any more money. Who says that?
I'm popular in the United States and I'm popular in England. England is just more concentrated. The people are closer together. Venues are closer together. Many albums of mine have been popular in England, but, no hit singles. All the hit singles I had were before I went to England. So, I'm not necessarily more popular in England, I'm just popular in England, and more so for my performances than hit records. But, I enjoy doing concert halls all over America, England, Scotland and Australia.
If people had good albums, they'd be buying albums. But people are buying singles because they only have good songs.
I did albums for Cash Money. I didn't do singles - I did whole albums for Cash Money - and at the end of the day, I'm saying I wasn't paid for albums, so its like you're doing 10 songs, and somebody pays you for 1.
A lot of people put out albums with sort of crappy songs and a couple of singles because they know no one's going to listen to it anyway. We very much wanted it to be something that you do listen to from beginning to end and had a narrative that was important.
I take music really seriously. I haven't been doing this for too long, but I've been loving music for a long time. It wasn't really about other artists. I just wanted to do something more for me. I wanted to make a better life for my mom. I didn't have any way to take care of her, and I wanted to make a better way. Music was an outlet, so I went with it, and there you go.
David Blunkett and I both take the same view that it is scandalous that someone from North Tyneside, Laura Spence, with the best qualifications and who wants to be a doctor, should be turned down by Oxford University using an interview system more reminiscent of the old school network and the old school tie than justice. It is about time for an end to that old Britain where what matters more are the privileges you are born with, rather than the potential you actually have.
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