A Quote by Asger Jorn

Being an artist is being an isolated individual. — © Asger Jorn
Being an artist is being an isolated individual.
Maybe being an artist is a kind of detachment. You're in the cave, you're isolated, you're apart from everything and it's there you can find out what you believe in, or what is - what is the nature of being, as you see it.
You need others. Too often people think that being unique means being isolated, and being a great artist means coming up with genius ideas out of nowhere. Nothing could be farther from the truth.
I am an artist, and I understand the pros and cons of being an artist, and the pressures of being an artist, and how much being an artist can be torture to people around you; you know, you friends and your family and how material you can be, and how it's hard to take criticism and all the things like that.
Exhibitions of minority art are often intended to make the minority itself more aware of its collective experience. Reinforcing the common memory of miseries and triumphs will, it is expected, strengthen the unity of the group and its determination to achieve a better future. But emphasizing shared experience as opposed to the artist's consciousness of self (which includes his personal and unshared experience of masterpieces) brings to the fore the tension in the individual artist between being an artist and being a minority artist.
I think there's always a conflict within me about being comfortable and secure and then being an individual and fighting for what I want to be on an individual basis.
Being a cover artist is not like being a real artist. That's just copying what someone else did.
I didn't dare to think of anything then except the "facts." To get beneath the facts I would have had to be an artist, and one doesn't become an artist overnight. First you have to be crushed, to have your conflicting points of view annihilated. You have to be wiped out as a human being in order to be born again an individual. You have to be carbonized and mineralized in order to work upwards from the last common denominator of the self. You have to get beyond pity in order to feel from the very roots of your being.
A good artist should be isolated. If he isn't isolated, something is wrong.
Being able to hear an artist and emulate them has been a huge part of being successful as a producer and co-writer. I think it's a problem when a producer comes in to work with an artist, and you can't hear the artist as well anymore. It's very important to me to be invisible.
For me, being a complete artist means not necessarily just being in front of the camera, but being behind the camera or being the originator or creator of something.
Being a talented artist is good, it's nice, but it's not the most important thing. I think being a good storyteller, having a good idea, a good gag, is probably more important than being a great artist.
I probably like being isolated more than many people do, but I'm lucky to have the friendship of many fine people, and they keep me from becoming very isolated. The world of my mind is certainly a populated and warm place, too. It's difficult for me to become too isolated with such resources.
In a way, writing is an incredible act of individualism, producing your language, and yet to use it from the heart of a crowd as opposed to as an individual performance is a conflicting thing. I do stand alone, and yet it's not about being an individual or being ambitious.
I loved being a child. If I do have a talent, it's not so much being an artist, but it's being able to remember back to that time.
I could find faults with all my albums because that's just a part of being an artist - it's hard being a human being, isn't it?
When an artist stopped being a child, he would stop being an artist.
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