A Quote by Asger Jorn

Those who try to combat the production of shoddy pictures are enemies of the best art today... It always feels tragic to see people labouring to saw off the branch they are sitting on.
Our enemies have made the mistake that America's enemies always make. They saw liberty and thought they saw weakness. And now, they see defeat.
I suppose I could claim that I had suspected that the world was a cheap and shoddy sham, a bad cover for something deeper and weirder and infinitely more strange, and that, in some way, I already know the truth. But I think that's just how the world has always been. And even now I know the truth, the world still seems cheap and shoddy. Different world, different shoddy, but that's how it feels.
Recognize negativism and inferiority attitudes as enemies - do not try to dress them as your friends. you will be tempted to look upon negativism as prudence and inferiorities as humility. Strip off those false cloaks and see these attitudes in their nakedness - as enemies of you and of your possibilities.
And what we can see if we look deep within is that the authentic self is the Soul made visible. Do not try to remake yourself into something you're not. Just try making the best of what God made. The sacred art and craft of nurturing our souls and the souls of those we love is Simple Abundance soulcraft. Begin today by turning on the Light.
In 'National Geographic,' you always saw pictures of tribal Africa. And here I am, sitting in Nairobi in our suburban house, watching TV and thinking, 'Why is it always going to be these tribal people 'that are the ambassadors of our image?
I remember those faces of people who were good I saw that. I saw a father who gave his bread to his son and his son gave back the bread to his father. That, to me, was such a defeat of the enemies, will of the enemies, theories of the enemies, aspirations, here [in Auschwitz].
There's this thing that publishes pictures of people out and about. So when I go out, I do see pictures of myself. I don't know where those pictures come from - I mean, I don't see the cameras. But I guess I'm just not looking for them.
When I came to the league, a lot of people were saying Dragic's name was 'Tragic.' That hurts a little bit. I always have those comments in the back of my head and try to prove to all those people that they were mistaken.
Shooting is a lost art, but nobody wants to see nobody shoot all day. You want to see somebody break somebody off the dribble. That's today game, and that's what I try to do.
When I put my big retrospective together in '96 [for the Whitney Museum of American Art, New York], I saw that there were all these pictures of people inside looking out. All these pictures of women in water and mirrors. I don't know what it means.
During the off-season when you see other people playing in the Super Bowl, you wonder, and you say to yourself, 'Are you ever gonna get there and see what it feels like?' And it pushes you a little bit harder during that off-season to work to try to get there the following year.
Each period of a civilisation creates an art that is specific in it and which we will never see reborn. To try and revive the principles of art of past centuries can lead only to the production of stillborn works.
All those who try to unveil the mysteries always have tragic lives. At the end they are always punished.
My first wedding was 15 people at our condo. The second was maybe about a hundred people at this fabulous casino. And you know what? I have almost no pictures of the second one, because I put disposable cameras on the tables, because everyone said, "The best pictures are the most candid! The best pictures are the ones people just take!" So, I put disposable cameras on the tables, and guess what? There were so many kids there that those cameras were stomped on. I had so many pictures of the floor, of people's eyes, of someone's finger.
When we talked about Socrates, we saw how dangerous it could be to appeal to people's reason. With Jesus we see how dangerous it can be to demand unconditional forgiveness. Even in the world of today, we can see how mighty powers can come apart at the seams when confronted with simple demands for peace, love, food for the poor, and amnesty for the enemies of the state.
Basically, I feel like people have always taken photos of themselves. When I was in college, I had these Polaroid cameras my friends and I would have so much fun with. Today, we'd be taking those pictures on our phones. I think it's just part of culture today... Why not have fun with it?
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