A Quote by Ash Sarkar

When you're a second- or third-generation migrant, your ties to your heritage can feel a little precarious. You're a foreigner here, you're a tourist back in your ancestral land, and home is the magpie nest you construct of the bits of culture you're able to hold close.
Your first obligation, I suppose, is to your God. Your second is to your family. And your third is to your community. And you ought to try to fulfill all of those in your life.
Any judgment is past oriented, and existence is always herenow, life is always herenow. All judgments are coming from your past experiences, your education, your religion, your parents - which may be dead, but their judgments are being carried by your mind and they will be given as a heritage to your children. Generation after generation, every disease is being transferred as a heritage. Only a non-judgmental mind has intelligence, because it is spontaneously responding to reality.
If you hold a candle close to you, its flame rises. And if you hold it away from you, its flame shrinks. The same way you hold a candle close to you, keep all your plans, aspirations, projects, and dreams close to you too. Do not share your plans or goals until you complete them, because as you hold your candle away from you, your goals will shrink in the eyes of others. Envy, jealousy, and resentment will put out your flame before it grows.
Introduce your main characters and themes in the first third of your novel. If you are writing a plot-driven genre novel make sure all your major themes/plot elements are introduced in the first third, which you can call the introduction. Develop your themes and characters in your second third, the development. Resolve your themes, mysteries and so on in the final third, the resolution.
Close your eyes and simply "feel" the spot your finger is touching. Then, after a couple of minutes, let your hands down. Continue to hold your attention on the spot just as you did when your finger was there.
People are easily intimidated when they decorate their home. They think it has to be one way. But there's no one way. It's your way, your style. At the end of the day, you have to live there. It's your cocoon, your nest. You have to be happy in it.
I've thought for years, sometimes against my will, about what kind of son I'm supposed to be, what's expected. Being Korean, that's a particularly charged question. Is your duty to your culture or to your parent? Is your life your own, or the second half of your parents' life? Who owns your life?
A backyard for me is more being with the people around you, your friends. I think that's what defines your home; not your actual, physical home. When you travel a lot, what makes you feel at home is when your friends whom you know really well are there, your girlfriend.
When you've parked the second car in the garage, and installed the hot tub, and skied in Colorado, and wind-surfed in the Caribbean, when you've had your first love affair and your second and your third, the question will remain, where does the dream end for me?
I have a way to photograph. You work with space, you have a camera, you have a frame, and then a fraction of a second. It's very instinctive. What you do is a fraction of a second, it's there and it's not there. But in this fraction of a second comes your past, comes your future, comes your relation with people, comes your ideology, comes your hate, comes your love - all together in this fraction of a second, it materializes there.
With your first film, you can make mistakes, but your second and third movies map out your career.
Your first name's white, your second is Hispanic, and your third belongs to a black. No wonder you don't know who you are.
There are negatives in fighting away from home: you're not in front of your home fans, you don't have your home comforts, but I have travelled the world as an amateur and I have always managed to bring back medals. I enjoy it a little bit more when you're the underdog.
You might be a redneck if your beer can collection is considered a tourist attraction in your home town.
If everyone in your class has heroes, and they can relate to them in textbooks and literature, and then you don't see any of your heritage there, you feel less than. And I always wanted to be able to make Latin kids like myself feel more than.
When you're looking back at your ancestral history or the cultural context of your identity, it's natural to search for that in the food.
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