A Quote by Ash Sarkar

You can't debunk memes with facts. It's like bringing tap-shoes to a gunfight. — © Ash Sarkar
You can't debunk memes with facts. It's like bringing tap-shoes to a gunfight.
My dance shoes - ballroom shoes, tap shoes, ballerinas - are my life.
I make an ass clap like tap shoes.
I like the app where you can make your own memes. I make memes all the time and send them to my friends.
The haven all memes depend on reaching is the human mind, but a human mind is itself an artifact created when memes restructure a human brain in order to make it a better habitat for memes.
Tap into people's emotions. We've all been put to sleep by a speaker who just gives the facts. You must tap into people's feelings.
No one around me was obsessed with Fred Astaire except for me. It just snowballed, really. I started with tap lessons. When I didn't have tap shoes, I taped nickels on the bottom of my penny loafers.
I will not be held like a drunkard / under the cold tap of facts
Facts are simple and facts are straight. Facts are lazy and facts are late. Facts all come with points of view. Facts don't do what I want them to. Facts just twist the truth around. Facts are living turned inside out.
Before a show, I usually give myself two-and-a-half hours to get ready. I prepare my shoes first. New ballet pumps can sound like tap shoes. You have to take the noise out of them by hitting them against stone. It takes half an hour to do each pair, and I can go through three pairs in one night.
In neither his definition nor the examples illustrating what memes are does Dawkins mention anything that would distinguish memes from concepts.
I like shoes. Always liked shoes. Wanted to be a shoe designer or somebody who made shoes, something in shoes.
I grew up watching Gregory Hines banging out rhythms like drum beats, and Jimmy Slyde dancing these melodies, you know, bop-bah-be-do-bap, not just tap-tap-tap. Everyone else was dancing in monotone, but I could hear the hoofers in stereo, and they influenced me to have this musical approach towards tap.
I think there was, like, a childhood moment where I had to pick shoes, either non-marking or marking shoes. The marking shoes were Spider-Man shoes. I'm like, 'Well, I want the Spider-Man shoes.' But I also didn't want to mark the court; I want to be able to play. I chose the generic, non-marking shoes.
When I first decided to take off the tap shoes and concentrate on theatre directing, Dominic Dromgoole got in touch to ask if I'd like to do something with Oxford Stage Company. My reaction was negative.
Well, I'm obsessed with shoes - small shoes, weirdly shaped shoes, hotdogs in shoes, things sliding in and out of shoes.
The sound of tap is not 'clickety clickety tap tap,' this monotone thing. The sound of tap has depth. We want you to hear the different highs and lows, the bass, the trebles and the melodies, if you can.
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