A Quote by Asher Keddie

We're getting bolder with our drama and we're allowing women to be unapologetic about their ambitions in a professional sense, and also about their vulnerability as mothers and lovers.
There are mothers who sacrifice their dreams for family and feel terrible about it. There are mothers who are career women as well, without being apologetic about it.
I think all the songs [at Moth] are about different things, but if we were to speak about it as a whole, it's really about, it's about joy, and about sensuality and vulnerability and also fun, energy, living in New York in 2015, being out of control, wanting to be in control, failing! It's a sort of story of our lives.
My sense of injustice about our family's 'weirdness' in not owning a car was amplified by the fact that we did not own a television, either - my parents were unapologetic about this and told me very cheerfully that I would thank them for it when I was older, which was quite true.
Given Freudian assumptions about the nature of children and the biological predestination of mothers, it is unthinkable for mothers voluntarily to leave their babies in others' care, without guilt about the baby's well-being and a sense of self-deprivation. Mothers need their babies for their own mental health, and babies need their mothers for their mental health--a reciprocal and symbiotic relationship.
There's something very frightening about the vulnerability of mothers and babies.
At one time, there was a stereotype that your Girl Scout leader was the mother of a Brownie, but increasingly, we are having young businesswomen and professional women who are not mothers but care about children.
My short stories are so character-based and they're also so private. They're like a private world in each story and I'm getting more and more interested in allowing myself to investigate the big picture about this country, and about human beings, and about the planet, and about the solar system, and about the nature of the material world in general. And I felt like I needed to move into a bigger form.
I think there's a contempt for care work and caregiving in this country that seeps into how we think about mothers, professional workers who are mothers.
Our culture has always been about treating women as mothers. It is sad that women are treated as mere sex objects by many.
We talk about the vulnerability involved in sharing our work publicly. I don't think we talk enough about the real vulnerability involved in making art; if we truly engage the process we are changed by it.
We launched our #WomenWhoWork initiative to show the world what today's modern, professional women really look like. They're invested in their careers, but they're also passionate about priorities outside the office.
I don't consider myself a shy person necessarily, but there's something about getting under the skin of a character and allowing you an abandon or a sense of courage that you would never have in your own life.
'A League of Their Own' had some special meaning for me, I guess - it's about women joining together and being empowered, but also about sisters sticking together even when there's drama and struggles. I'm really close to my two sisters and my brother, so I liked that about it.
A League of Their Own' had some special meaning for me, I guess - it's about women joining together and being empowered, but also about sisters sticking together even when there's drama and struggles. I'm really close to my two sisters and my brother, so I liked that about it.
Westerns aren't about the gunfight, even though it has to be there at one point. It's not what they're about, at least the good ones. It's about the drama. It's about the resourcefulness of men and women.
I have written about the women around me. My ancestors, my relatives, lovers. It was a way of trying to make it all make sense.
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