A Quote by Ashish Sharma

All the characters in 'Rang Rasiya' are inspired from the Shakespearean drama 'Othello.' This is exactly what interested me to take up this role. — © Ashish Sharma
All the characters in 'Rang Rasiya' are inspired from the Shakespearean drama 'Othello.' This is exactly what interested me to take up this role.
'Othello' was my first Shakespearean discovery. I was obsessed with drama at school, and I studied the play for my English GCSE. Desdemona is the part that everyone wants, but Iago's wife Emilia is the one I've always been drawn to.
Othello' was my first Shakespearean discovery. I was obsessed with drama at school, and I studied the play for my English GCSE. Desdemona is the part that everyone wants, but Iago's wife Emilia is the one I've always been drawn to.
With Othello, Shakespeare posed this problem of a black man in a white society in the role that he's playing. And Shakespeare gave Othello such dignity - he came not from - as he said - not from hate but from honor, from a sense of his own human dignity. And to me, to my mind, there could be no greater character played.
'Masaan' was a small role, but people connected with it. I loved playing a man who does not have many complexities in life. I was inspired by my father for this role. You find such characters in novel or in stories. You don't find such parts in movies where characters are either good, bad, or grey.
When I was in high school, the drama teacher picked me to play Iago in 'Othello.'
That was a bizarre and unlikely event, which has misled a generation of drama students from my old drama school that dreams really do come true. I was an unemployed actor. I had been an actor for about eight years, and had worked in theater, and done a tiny bit of TV, and somehow an audition video of mine ended up on Kevin Costner's television screen, and he rang me up and invited me to fly first-class to Hollywood and be in his movie The Postman.
When you get the role, it's 'cause you know exactly how to play it, and they know that the way you're playing it is exactly what they want. I never go with a role and say that I need to change anything about it. Otherwise, I wouldn't take it.
My father used to act in high school. He was in a production of 'Othello;' I don't know who he played, but it wasn't Othello. He would talk about it, though, and read Shakespeare to me.
Besides acting, I had learnt a lot about entertainment at the Bhartendu Natya Academy, Lucknow and the National School of Drama, Delhi, which I had not been able to put to use. That inspired me to take up direction.
I'm working now on a collection of Shakespearean sonnets, about 100 of them, that I may publish if anyone's interested. My take on life is a little different from the bard's.
I always loved drama at school. We had a great drama teacher at my secondary school, and she made drama feel cool. She inspired me, and then I did the National Youth Theatre in London.
My parents brought us up in a very clever way, which was that they saw what we were interested in naturally, and then they encouraged whatever that may be. When I started sharing a keen interest in drama and the theater, instead of steering me away from it, they encouraged me to see plays and think about drama school.
Drama is hate. Drama is pushing your pain onto others. Drama is destruction. Some take pleasure in creating drama while others make excuses to stay stuck in drama. I choose not to step into a web of drama that I can't get out of.
When you're in your early 20s, a lot of characters can be one or two dimensional. You want a role to substantiate the drama, as opposed to actually analyzing the psychology of a human being. That's what drew me to acting, particularly the contradictions in people.
To be honest, I've always been really interested in the role of the host, whether it's our kind of Billy Crystal-style traditional awards show host or when you have someone like Louis C.K. or a more edgy stand-up comedian do their take on a hosting role.
When I was 16 years old, I joined a drama group called North Queensland Academy of Dramatic Art under a woman called Maggie Shephard-King. She inspired me to audition for the role of Romeo in 'Romeo and Juliet.'
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