A Quote by Ashish Vidyarthi
The concept of 'DAM999' is very interesting, which director Sohan Roy has written. The entire idea was to capture or encapsulate the nine rasas depicting different human emotions in the backdrop of dam disaster.
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I think the media's primarily an interesting backdrop - a fertile backdrop, in which we can discuss a great deal involving the human condition. We're not trying to lecture the media on how it should be doing its job or lecture people on who they should be voting for, but it does provide an incredible backdrop on which we can paint a lot of pictures and open up a lot of discussions.
It's interesting in seeing when I'm talking to men in particular and telling them I'm an actress versus a director and the different turn the conversation will take when I say I'm a director. The level of respect is very interesting.
I think, in a written novel, the way in which you play with the readers' emotion or the way in which you engage the readers' emotions can be very indirect. You could come at it through irony or comedy, etcetera, and you could capture people's sympathies and feelings kind of by stealth if you like.
If you start with a good idea, you can encapsulate it in a phrase and explain it. I like high-concept films. Everyone can get hold of it. I don't think there's any harm in that at all.
Every director is different and they all have different styles. I've worked with directors who were very specific and they gave a lot of direction. The one thing about Michael [Haneke]that I think is interesting is that he really has a reason for everything he's asking you. If you challenge it, he is open for discussion but he has a clear idea of what he wants with reasons why.
Another problem of fragmentation is that thought divides itself from feeling and from the body. Thought is said to be the mind; we have the notion that it is something abstract or spiritual or immaterial. Then there is the body, which is very physical. And we have emotions, which are perhaps somewhere in between. The idea is that they are all different. That is, we think of them as different. And we experience them as different because we think of them as different.
People are not "things" to be manipulated, labeled, boxed, bought, and sold. Above all else, they are not "human resources." They are entire human beings, containing the whole of the evolving universe, limitless until we start limiting them. We must examine the concept of leading and following with new eyes. We must examine the concept of superior and subordinate with increasing skepticism. We must examine the concept of management and labor with new beliefs. And we must examine the nature of organizations that demand such distinctions with an entirely different consciousness.
If you are referring to the characters of The Room, each character has a different personality which you can see very clearly on the screen. If you are referring to the actors, they give me different emotions, personality which represents human behavior.
Anthropomorphism is such an interesting concept. It means projecting human thoughts and emotions onto an animal. Which implies that thoughts and feelings belong to humans alone. Of course, if you believe in evolution, or if you believe in the Bible, that's not so. Both evolution and the Bible tell us that we're part of a family.
I'm very old-school. I like a director to direct me. I like to be the actor. I'm not particularly fond of the hybrid writer-director, or actor-director. Writers, directors, actors are all such very different people. I think it's unusual that two of those people are in one human.
Poetry isn't written from the idea down. It's written from
the phrase, line and stanza up, which is different from
what your teacher taught you to do in school.
Beauty means a lot of different things to a lot of different people. A lot of different ways in which things can be beautiful. But this really has a very specific meaning and which is more along the lines of elegance which is that we say an idea is beautiful or elegant in mathematics or physics if a very simple principle or a very simple idea, or simple set of ideas, turns out to be very powerful and leads to all sort of unexpected structure and unexpected predictions.
It is not a disaster to be unable to capture your ideal, but it is a disaster to have no ideal to capture.
People aren't very good listeners, by nature. Part of being a good communicator is recognizing and understanding that and trying to make the complex simple. I try to capture a concept, an idea or a moment in a few words. If they remember it, job done.
The director is simply the audience. So the terrible burden of the director is to take the place of that yawning vacuum, to be the audience and to select from what happens during the day which movement shall be a disaster and which a gala night. His job is to preside over accidents.
I don't really know why an idea comes to me. But all of a sudden, an idea comes and from experience I can intuit what something means when an interesting line pops up. Or I can intuit what an interesting choice might be. And I can try a couple of different choices, and see which one feels right, and then continue the song to see where it goes.
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