A Quote by Ashish Vidyarthi
I was in a school called Shiv Niketan, run by Elizabeth Gauba, where she gave a lot of importance to people expressing themselves in whatever way they wanted - some could draw and answer, some could dance and answer, while some could act.
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There's a feeling of despair for some, but that's not what we wanted. Because the whole movie is without dialogue, it's more a question than an answer. We wanted to make a question mark so people could project what they wanted onto 'Electroma' - some people see it as sad, some as happy. Everyone is different.
You could attach prices to thoughts. Some cost a lot, some a little. And how does one pay for thoughts? The answer, I think, is: with courage.
Apple has some tremendous assets, but I believe without some attention, the company could, could, could - I'm searching for the right word - could, could die.
If you could sit down with Jesus, you wouldn't need anybody else. He could answer all of your questions. Instead of Einstein and Louis Pasteur and Madame Curry, you could just have Jesus and he could answer for all of them.
Who is Mike Judge? Let me think. The only way I could possibly answer that question would be in a nonverbal fashion. I think I could do an interpretive dance that would answer that question for you.
We could learn a lot from crayons; some are sharp, some are pretty, some are dull, while others bright, some have weird names, but they all have learned to live together in the same box.
People called me a dude and said there was no way I could be a woman. Some even wanted me to prove it to them. During high school and college, when we traveled for games, people would shout the same things while also using racial epithets and terrible homophobic slurs.
My father, though, could run very much faster. It was impossible to compete with him on the grass. But it was astonishing how slow old people were. Some of them could not run up a hill and called it trying to climb stairs.
You know what I am going to say. I love you. What other men may mean when they use that expression, I cannot tell. What I mean is that I am under the influence of some tremendous attraction which I have resisted in vain, and which overmasters me. You could draw me to fire, you could draw me to water, you could draw me to the gallows, you could draw me to any death, you could draw me to anything I have most avoided, you could draw me to any exposure and disgrace. This and the confusion of my thoughts, so that I am fit for nothing, is what I mean by your being the ruin of me.
You still could go to some industry or some university or the government and if you could persuade them you had something on the ball—why, then, they might put up the cash after cutting themselves in on just about all of the profits. And, naturally, they'd run the show because it was their money and all you had done was the sweating and the bleeding.
I always wished I could go to confession. I was so full of things I couldn't name and had an instinct to hide. I felt burdened by the loneliness of my interior life. I wanted some container that I could empty myself into, some ear that would never be shocked, even if it offered me some kind of penance.
She wished there was some place where she could go to hum it out loud. Some kind of music was too private to sing in a house cram fall of people. It was funny, too, how lonesome a person could be in a crowded house.
If you had a system that could read all the pages and understand the context, instead of just throwing back 26 million pages to answer your query, it could actually answer the question. You could ask a real question and get an answer as if you were talking to a person who read all those millions and billions of pages, understood them, and synthesized all that information.
I knew from the age of five what I wanted to do. The one thing I could do was draw. I couldn't draw that much better than some of the other kids, but I cared more and I wanted it badly.
Psychodrama' is a form of therapy and it is just expressing how you feel in whatever way is the most creative to you. Some people act it out, some people sing it out, people find their own different ways.
Instead, there were a variety of controls of which some could be influenced by bankers, some could be influenced by the government, and some could hardly be influenced by either.
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