A Quote by Ashish Vidyarthi

Shivajinagara' is set in Bangalore's Shivajinagar. We shot most of the film on those busy streets. — © Ashish Vidyarthi
Shivajinagara' is set in Bangalore's Shivajinagar. We shot most of the film on those busy streets.
If I'm ever working on a set and anyone talks about a master shot, I say there is no master shot. Before I even went to film school, I learned about movies by being in a British feature film, where everything was shot master shot, mid-shot, close-up. But I reject the idea of a master shot. You don't shoot everything mechanically; you find imaginative ways that serve the action.
Bangalore now wants a person who doesn't only play politics. Bangalore needs a problem solver, and I am a problem solver. I will be the bridge between Bangalore and the Centre.
There were some inquiries after I bagged 'Shivajinagara.' I have consciously decided to wait till the film releases as I want to do similar roles.
I shot film with the Coen brothers on 'Hail, Caesar!' That's fine. I'm sentimental about film; I've shot film for forty years or something.
Even before 'Moon,' I did a short film called 'Whistle,' and it had a lot of the things that I thought I would need to be able to do on a feature film: I shot on location, there was special FX work, there was stunt work, we used squibs, I shot on 35 mm film.
My childhood is streets upon streets upon streets upon streets. Streets to define you and streets to confine you, with no sign of motorway, freeway or highway.
'Mars et Avril' is a science fiction film. It's set in Montreal some 50 years in the future. No one had done that kind of movie in Quebec before because it's expensive, it's set in the future, and it's got tons of visual effects, and it's shot on green screen.
It's hard to make a film in Britain. It's hard to raise money. The best stuff that is shot on film in Britain is usually shot on film for television.
It's good to be busy on a film set because there is a lot of sitting around, so if you've got two roles to play at one time, then that's great to do.
The more I work in the film business, the more I see that those guys, the directors, have the most fun on set.
Everything is groomed in Palm Beach...the lawns, the streets, and the shops are all pristine, particularly those on world-famous Worth Avenue, one of the most fabulous shopping streets in the universe, with outposts of Gucci, Chanel, Valentino, and Louis Vuitton enticing residents and visitors.
The whole visual language of the movie is developed way before we get to set. Especially when you're doing visual effects and you don't have a lot of money to mess around, which we didn't, you have to really preplan everything. Pretty much every shot in the film was figured out months before we got to set.
Even if you try to copy a film shot by shot, you still can't. It's still your own film.
I shot my undergraduate work on 35mm. I love the way it looks, but I haven't shot film in a while. If you can avoid scanning, it makes your practice faster. Oh, and I shoot a lot of Polaroid, too. I have about five hundred Polaroids from my film that I hope to show soon.
I've been to Delhi, Madras, Bangalore and a lot of other cities, but I have never seen a crime set-up like that in Bombay.
When I was working in Bangalore, short film making was fun - almost like a weekend getaway for me and my friends from the software industry.
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