A Quote by Ashlan Gorse Cousteau
I once said the wrong movie name to Aaron Eckhart, and boy did he tease me about it for years.
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There was an interview with me when I was nine years old. They showed it on the local news and I said: 'I want to win the Melbourne Cup.' My friends used to tease me and make fun of what I said. So, yeah, it was pretty funny I did win it in the end.
I certainly wish I were as good-looking as Aaron Eckhart.
No one ever said 'no' to me about anything. No one ever told me anything was wrong. Never. No one ever said, 'You can't be a fashion designer.' No one ever said, 'You're a boy and you can't take tap-dancing lessons.' No one ever said, 'You're a boy and you can't have long hair.'
I had been used to improvising and even in the audition I was feeling free to rearrange Aaron Sorkin words a little bit, as lovely as they were. I didn't find out until after I got the part how furious Aaron was at me for doing that. They said, "He was livid. He did everything in his power not to jump down your throat!" But I came to realise that Aaron was writing in metre and the rhythm of the language is very important.
Now, as at the beginning of the 19th century, there is a certain discovery of Eckhart and related figures. There are questions as to how far our Eckhart accords with the real medieval teacher of that name, but there are certainly images in his work that help us work our way past several of the aporia with which we're confronted in our attempts to think about God.
But that's not the name of a man, it's the name of a mountain! (...) "It is my name," Athos said calmly. "But you said your name was d'Artagnan." "I?" "Yes, you." "That is to say, someone said to me: 'You are M. d'Artagnan?' I replied: 'You think so?' My guards shouted that they were sure of it. I did not want to vex them. Besides, I might have been mistaken.
You're sad-looking," she said. "My grandson used to be such a happy boy. He used to write me stories. I remember the first story he ever wrote me, 'Once upon a time, there was a boy.' And that became 'Once upon a time there was a boy who wanted to fly.' And they kept getting better and better over time. I never found out if the boy got to fly." I gave her a small smile. If only she knew the boy's wings had been clipped.
My friend... used to tease me about a tattoo I had right here, but it was so big, and what he was teasing me about - he said it looked like a flying monkey. It's supposed to have been a grim reaper holding a ball. But it did look like a monkey.
I found a movie called “Light in the Piazza.” I finally made the movie with Olivia de Havilland and myself, but initially there was no way I could make that movie, so I went to work on becoming that character. They told me they had an Italian [actor], and I said, “That’s a Cuban boy!” His name was Tomas Milan. I thought that’s the craziest thing I’d ever heard: They have a Cuban who’s going to play an Italian, and I can’t play it because I’m an American.
Kids used to tease me unmercifully about that name.
You say that your fare told you that he was a detective?" "Yes, he did." "When did he say this?" "When he left me." "Did he say anything more?" "He mentioned his name." Holmes cast a swift glance of triumph at me. "Oh, he mentioned his name, did he? That was imprudent. What was the name that he mentioned?" “His name," said the cabman, "was Mr. Sherlock Holmes.
Somebody said once or wrote, once: 'We're all of us children in a vast kindergarten trying to spell God's name with the wrong alphabet blocks!
When Howard Marks came out of prison, years later, I met him at a concert in South Wales; I was a young whippersnapper and Howard was kind of an outlaw hero. I said to him - and it's on tape, a cousin of his filmed our meeting - I said, "If you write a book, I want to play you in a movie." He said, "Let's shake on it," and we did. Thirteen years later, there we were, making the movie.
I swear to God, that movie comes up more in my life than any other movie. Someone says 'Bowfinger' once every month or two to me. And how many years ago did that come out?
I'm right on the edge of getting another movie. It's between me and a famous person. The studio said they're thinking about going with somebody with a name. I said, 'That's great! Because I have one!'
Basically, you make another movie, and another, and hopefully you feel good about every picture you make. And you say, 'My name is on that. I did that. It's OK.' But don't get me wrong, I still get excited by it all. That, I hope, will never disappear.
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