A Quote by Ashlee Simpson
I’m going out to let my real talent show, not to just stand there and dance around. Personally, I’d never lip-synch. It’s just not me.
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When I started off with 'Dance India Dance,' even the TV show people thought it won't be accepted. But with the talent that the show received, I was able to personally tutor dancers to amalgamate contemporary dance moves on Bollywood tracks.
I've never relegated the lip-synch to a lower form of entertainment. Lip-synching is an art unto itself. A lot of people can't do it.
There are things you do that just come natural, and sometimes those are amazingly in synch, and sometimes they're horribly out of synch, and you're like, 'Ooo! That wasn't very good tonight.' Most of the time, it's just on.
There's not another lip-synch song on the planet, in the history of lip-synching songs, that has been lip-synched more than 'I Will Survive.'
I'm going to do 'The Social Network Two: The Electric Boogaloo.' And I have a part in 'Beige Swan.' I'm going to be the lead, but I don't dance. I just do a lot of sitting down. It's too tiring to get up and dance around. That should be coming out in 20-never.
As an actor, you never really set out to be a stand-out character. You just want to do justice to the story and enjoy playing it, and find all the different nooks and crannies of who someone is. For each part that you get, they're all special and you just try to give everything you can to each one. I don't know whether they're going to be stand out in that way or not factors into my work. They all stand out for me.
I just think you shouldn't expect people to pay money to see someone sing live and then lip-synch.
I just can't stand the fact that they're going out on their own - I love having my kids around, and I'm angry at them for going out and becoming independent. I want to tuck them in and drive them to school in the morning, but they just won't let me do that anymore.
I almost never pitch myself. Me being an independent producer, never having a manager and never being signed, I pretty much just did my own thing: go out and search for the new talent, and when the new talent blows up, it just kinda brings everyone else to me.
Dance was one of the things that led me to acting even though I say I fell in love with acting fairly early on and its true but around 16 and 17 I got heavily into dance but I think I just came into it too late and I was never going to be really great at it so I let it go and the dance led to more acting classes.
Most music that you hear is in synch with itself. We were experimenting with the music falling out of synch with itself and even though it is out of synch you mind can still understand what it is meant to be doing.
I would rather do live than any kind of lip-synching or something like that. I don't like to lip-synch.
And, the sets that they built are just so beautiful. It's like going to a completely foreign country and experiencing a new culture that you've never seen before, especially at Camelot. It's just so magical. Personally, it's just so much more interesting than wearing jeans and a t-shirt, and walking around somebody else's house.
When you put yourself out there as an expert and the people you are trying to attract are people who want to do the very show you are doing, guys standing around, sitting around arguing with each other over sports, if you make a mistake that lights up like a flare in the middle of the night. You've just got to correct that or else they're going to say, 'Well, why do these dopes have that show? I can go out there and be just as good as them.'
Personally, of course it's exasperating when people think you're just swanning around in Europe, going to the occasional fashion show and then being glamorous at a party.
I have a real worker-bee mentality. Just show up, just do it. Even if you feel like s--t and you think you're terrible and you'll never get better and it will never go anywhere, just show up and do it. And, eventually, something happens.
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