A Quote by Ashley Bryan

When John Lennon left the Beatles and started making music with Yoko Ono, many people scoffed at the idea. How could this talented man with so many hit songs give it all up? Well, we all know it was love, but beyond that, it was a leap of faith to try something new.
I grew up in Greenwich Village. Dad was friends with John Lennon and Yoko Ono.
Jean-Baptiste Mondino: "She's John Lennon and Yoko Ono at the same time".
The underground went really underground. Grand Funk, and all these people man are the moderate's choice of music. Underground is Yoko Ono, The Black Poets. These people scare the hell out of most freaks. They laugh at Yoko Ono, but it's the whole cliché.
But I sent letters to people in the music business. And one day I got a phone call from somebody and he asked me when I was born and where I was born. And, you know, three or four days later I got a call. Someone said, you know, Yoko Ono wanted to meet me in New York. I got on a plane. And the next day I was having coffee with John Lennon.
When I brought 'El Topo' to New York, no one understood the picture. But John Lennon understood. John and Yoko Ono, they presented 'El Topo' in the United States; they introduced it.
Yoko Ono never deserved any of the hate she got. Paul McCartney and John Lennon weren't getting along.
We live in a country where John Lennon takes eight bullets, Yoko Ono is walking right beside him and not one hits her. Explain that to me!
If The Beatles represent the most successful version you can be of a thing, then by that definition The Rolling Stones are The Beatles of music, not counting The Beatles. John Lennon is The Beatles of The Beatles.
I was really into music. I started playing guitar also when I was nine. I wanted to be in the Beatles, even though John Lennon died the year I got a guitar and the Beatles broke up before I was born.
Where John Lennon and Yoko Ono holed up for a week in the Presidential Suite at the Hilton Amsterdam for their 'Bed-in for Peace' on March 25, 1969, Firouzeh and I are compelled to do our 'Bed-in against Fracking' which has been thrust upon us all undemocratically.
DAYS THAT I'LL REMEMBER is a lovingly assembled and beautifully written collection of conversations, observations, and memories of music, friendship, and days gone by. It's good to be back again with John Lennon, his beloved Yoko Ono, and his trusted chronicler and friend Jonathan Cott.
I didn't have many role models or interesting women to get stirred up by until Yoko Ono came along.
I'm spinning records and I look across the restaurant and I see somebody who looks Asian. And I'm like, "Yo, that looks like Yoko Ono." I'm like, oh, I can just meet - that's going to be great. Then I look carefully and I'm like, "That's not Yoko Ono, that's Bruno Mars." And it was Bruno Mars. That just happened recently. I was bugging out. Because that was totally not Yoko Ono at all.
When people get cynical about love, they should look at us [Yoko and John Lennon] and see it is possible
I'd want to direct a video for Yoko Ono. As long as I got to work with Yoko Ono someday, I'd be really happy. I just think she's such a great artist - it would just be so nice.
He [Benny Carter] is all that every jazz musician the world over wants to be. He's performed 20,000 nights. How many shoes have been shined? How much mascara put on? Rouge? How many of those impossible bowties have been tied? How many love songs have been sung? How many dances have been danced? How many have passed to the sound of his music? It's been said that a man should not be forced to live up to his art. Benny Carter is one of the rare instances when we wonder whether the great art that a man has created can live up to him.
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