A Quote by Ashley Greene
That was an amazing time period [ CBGB filming] to transport to during filming - the clothes, the music, the lifestyle - it really helps to get into character when there's so much that changes from the moment you step onto the set.
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We were filming the West Wing on the set one day in DC and Madeleine Albright comes by the set. I mean, when does that happen? You turn around and there's the former Secretary of State just sitting there. After the Clinton administration finished we were filming right outside the White House and John Podesta comes walking up while we're out there filming. Just strolling by the set - the former Chief of Staff! Things like that would happen all the time.
I went from basically filming in my bedroom by myself, filming some funny videos, and then overnight, I switched into filming in some studios and some warehouses and family homes. I started filming with directors and producers and editors, and there were so many people in the room, so it was definitely weird.
While I'm filming, I'm often immersed in the emotions and situations of the character. But when the filming is over, I'm quick to return to my daily life.
I wrote Time' while I was filming 'The Umbrella Academy' and it is a tribute to the journey of my character on the show as well as to the music of My Chemical Romance, but it is also about the idea of living fully in the present moment.
On the set, everybody is different, so you have to deal with different sensibilities. I don't have a method. Usually, I try to have a good connection with the actor that I'm filming. Even a guy who's there with two lines of dialogue, I always try to have a connection with the guy I'm filming, just to make it into a nice, enjoyable moment.
The first time I walked onto the set of Neverland, it was like walking into another world. They built the sets extra strong, so we were allowed to play on them when we weren't filming. It was cool!
I was so used to documentary filming, where it's one take. You can't really say, 'Make that elephant charge again!' And you talk to the camera. With movie filming, you're talking to someone else.
I learn the lines as soon as I can and then the challenge really, for filming, is to show up and be there and respond to what's around you. That's where the gold dust is. It's really strange, no amount of preparation will help you with the magic of spontaneity on the day [of filming].
There was a strange atmosphere on the set because we were filming in this large house, which was used for troubled children. You'd go in and find walls had been burnt down. The building was charged with this history and it stayed with us throughout the filming.
Filming is such a nerve-wracking and stressful process for me. I love it so much, and it's so fun, but I never have a time to fully appreciate it until after I'm done and I get to step back and look back at it.
When you're supposed to be close and friends in the film, the moment you're talking as friends off the set, it makes it that much better when you're filming.
I remember one time that I was filming a scene in whych my character rides through Troy on a chariot. I just looked around at this incredible set thinking 'This is the life'.
I'm very much thinking in music most of the time, but I really would love to start filming because when I was a teenager, that was my big hobby and it was always fun for me to explore that world.
Filming is so much to do with rhythm, as is music, and if it isn't there then you know in the end nobody can save it really, they can't.
My family, they're not really that involved in what I do. Career-wise, they're very supportive. They're involved after the fact. I don't tell them anything usually until I'm finished filming it or mid-way through filming it.
On the day of the game you get there quite early, about 10 o'clock for a 3 o'clock kick-off, because you do a little bit of filming early on. You need to meet the crew and they need to have time to get a cup of tea and all those things the crew like to do before they go out filming.
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