A Quote by Ashley Jensen
There was actually a camera on your face. I don't know so much about the animation process but the camera was in our face so it could get expressions from our faces that would eventually arrive on the gnomes. It almost felt like you were cheating at times because it was a wee bit too much fun. You were in that box on your own. Kelly [Asbury] was in Toronto, I was in LA, so I was just on my own. I thought: "I can't be getting paid for this as well!"
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It was almost like being a child again because you felt like you were in your bedroom and it almost felt like no one was really watching you. So, you were just kind of having a bit of fun on your own doing silly voices in the bedroom.
I move my face so much because I'm very much expressive. I'm told a lot, 'Stop moving your face'. Because on camera, the tiniest movement tells so much, and it looks really hammy.
Do you suppose you will look the same when you are an old woman as you do now? Most folk have three faces—the face they get when they’re children, the face they own when they’re grown, and the face they’ve earned when they’re old. But when you live as long as I have, you get many more. I look nothing like I did when I was a wee thing of thirteen. You get the face you build your whole life, with work and loving and grieving and laughing and frowning.
He glanced back at the wall. How like a mirror, too, her face. Impossible; for how many people did you know who reflected your own light to you? People were more often--he searched for a simile, found one in his work--torches, blazing away until they whiffed out. How rarely did other people's faces take of you and throw back to you your own expression, your own innermost trembling thought?
Intelligence, goodness, humanity, excitement, serenity. Over time, these are the things that change the musculature of your face, as do laughter, and animation, and especially whatever peace you can broker with the person inside. It's furrow, pinch, and judgement that make us look older - our mothers were right. They said that if you made certain faces, they would stick, and they do. But our mothers forgot that faces of kindness and integrity stick as well.
The beauty of film is that you can get closer than you can in theater, you know? I come from theater, and I remember feeling like I was almost cheating when I would put the camera so close to somebody's face when I was filming them.
This camera works like photosynthesis. It is as if you were Xeroxing your own face. The pictures have such physicality: their surface is like fine leather, stained from chemicals. Each one has a body and is more than an image.
It's the best, it's so weird because, having your camera on constantly is known to be such a bad thing because it's like, 'Live in the moment,' but we genuinely have so much fun when we turn the camera on.
Our success just flies in the face of critics or people who would rather that we just failed... because we didn't fit into the style of the times or our lyrics were too upfront or too earnest or whatever.
Girls weekend with the 'Vampire Diaries' girls has become a big deal! It's our quality time. It's so much fun to unload and not feel guilty complaining or talking about your insecurities or bonding over things that you thought you were on your own about.
Girls' weekend with the 'Vampire Diaries' girls has become a big deal! It's our quality time. It's so much fun to unload and not feel guilty complaining or talking about your insecurities or bonding over things that you thought you were on your own about.
I like stories where people have to face some big demons internally. It always seems to be an element of horror, because it's pretty scary to have to face yourself and the things you're most worried about: your own abilities and your own capabilities and your own level of competence in being a hero.
Because the mask is your face, the face is a mask, so I'm thinking of the face as a mask because of the way I see faces is coming from an African vision of the mask which is the thing that we carry around with us, it is our presentation, it's our front, it's our face.
All too often, when it comes to our own minds, we are surprisingly mindless. We sail on, blithely unaware of how much we are missing, of how little we grasp of our own thought process - and how much better we could be if only we'd taken the time to understand and to reflect.
It's very disconcerting to have a camera shoved in your face. It's really discombobulating. If you're the least bit nervous you forget what you just said, you can't find your way through, you can't follow the logic of your own statements sometimes. It's a weird sensation. And I think that really helps to lock people in place.
The voice of the natural world would be, "Could you please give us space and leave us alone to get along with our own lives and our own ways, because we actually know much better how to do it then when you start interfering."
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