A Quote by Ashley Johnson
I know you hear horror stories about child actors, but I think in my family when I did start acting it was never a big deal.
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A lot of times you'll hear horror stories about actors being incredibly selfish and only wanting themselves to shine, but for me, it's not about just one person. It's about the whole team. That's the way I look at acting. That's the way I look at everything I do.
Obviously loss of family is huge and critical, but I think really it's more about losing a sense of family. The horror of that kind of incompleteness. Writing this book, I tried not to think about my father, which does no one any good fictionally. I did try to imagine not just the horror of that moment, but the horror of having witnessed it, and the lifelong void. And I think that's what's so frightening.
I think there's a lot of mythos about what's required in acting. The way that actors talk about acting is generally quite punishing, and I think actors want to put forward the idea that they do all of this work because, you know, it's a post-De Niro world, when, largely, in fact, it's almost never true.
I'm always so nervous when I have to do interviews or be on 'The Tonight Show' or the 'Oprah' show, where I have to be myself. I don't know why that's such a big deal - being yourself. But for some reason, I feel good in a dark room talking to actors about acting, doing acting. I like sitting backstage watching people work.
You hear stories about directors using manipulation to get actors to do certain things, but I think when you're working with professional actors, it's all about trust. They can do anything you want, it's just a matter of them understanding what you're looking for, and the reason why.
The way that actors talk about acting is generally quite punishing, and I think actors want to put forward the idea that they do all of this work because, you know, it's a post-De Niro world, when, largely, in fact, it's almost never true.
I think a lot of directors, they come out of film school, they don't know anything about acting. Or they're writers that don't know anything about the process. And I think they're afraid sometimes to talk to actors and be honest with actors.
There wasn't really anything I wanted to do other than acting, which is ridiculous because there were no actors in my family, and we didn't know anything about acting.
You have to live in Silicon Valley and hear the horror stories. You go and hang out at the cafes, and you meet entrepreneur after entrepreneur who's struggling, basically - who's had a visa problem who wants to start a company, but they can't start companies.
I used to write stories. Handwriting stories in school were a big deal for me. That's kind of what I did.
I never wanted to be an actress, really. I sort of caught the bug fairly late. So many people are so intrigued with the glamour and celebrity of acting, and a lot of actors start acting when they are 9 or 10 years old - so young. I started when I was about 24.
I think actors who know their job know that's how you do it. You don't show up and make people miserable. That poor grip who's standing there, he just wants to feed his family. He doesn't need to hear about your psychosis on life and love and death.
The thing is, horror is a big part of 'Sherlock Holmes.' Doyle also wrote a lot of great horror stories, so there's a lot more horror in 'Holmes' that people possibly think of. There's a lot of curses and mysticism and real scares.
I think, in general, this country makes a huge deal about nudity and not a big enough deal about violence. We're allowed to cut people's heads off on shows - but not allowed to show breasts or somebody breastfeeding or whatever. I think it's a big deal in America especially. But I think to each is own.
Sometimes what happens I think is that actors finish a movie and they go, oh my god, I'm never going to work again, even big huge actors, and so they'll take something thinking that something else will never come along. But for me, I freak out - because I'm a bit of a workaholic - the second I finish a movie going oh my god, what am I going to do, but I can start writing the next day so it doesn't force me to make a bad choice acting-wise.
I imagine a child. That child is me. I can reconstruct and vividly remember portions of my own childhood. I can see, taste, smell, feel, and hear them. Then what I do is, not write about that kid or about his world, but start to think of a book that would have pleased him.
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