A Quote by Ashley Judd

I've always been crazy for the American songbook. — © Ashley Judd
I've always been crazy for the American songbook.
I'm an American songbook guy, though I've got eclectic tastes. I really love the American songbook. I've taken up the ukulele, and so you can play 'Five Foot Two' and Hawaiian music, but you can also do some of the great tunes, like 'You Go to My Head,' 'I Guess I'll Hang My Tears Out to Dry,' 'Taking a Chance on Love.'
For many years, I've always been attached to what they call the Great American Songbook, and Kern was a great leader of that because he had the classical training of Europe. He impressed all the greatest composers, like Cole Porter and Gershwin. They couldn't believe he was writing the songs he was writing.
In America, at the beginning of talkies, they pulled Fred Astaire from the theaters and put him on the screen and had all of these great composers write songs for him. They call it the Great American Songbook; I call it the Fred Astaire Songbook because they were written for him.
I'm playing the Great American Songbook - all the blue-sky, puffy-cloud classics. Music that's been missing. I want to be one of the people who ushers it back in. Long as I can do that, man, I'm happy.
I've always loved Elton John and that is one of my favorite songs by him and Bernie (Taupin). The American songbook is ever-expanding and I feel like it works well with what I was trying to say.
Presenting the American songbook as a living, breathing entity that's expanding all the time is very important.
My style of music is the great American songbook meets the pop world of the Seventies and Eighties.
I grew up watching American movies. My favorite movies have always been American, since as long as I can remember. I always had this huge respect for American filmmakers and American actors.
I have to say I owe my career to the master composers of the Great American Songbook who have written such high-quality songs - the best popular music ever composed.
People think jazz music is all standards and the Great American Songbook. But it's really about the sensibility, the feel you bring to the music.
I love swing, jazz, blues, standards. I love the American songbook, Gershwin, Berlin. It's all that. So I'm born in the wrong era and I just don't fit into the 21st century at all.
My initial training was on the keyboard - mainly the great American songbook. In junior high, during the day, I was a classical clarinetist, but after school, I played New Orleans jazz and big-band music.
When I play live in restaurants and cafes, I don't play my own stuff. I play jazz and 'American Songbook' standards, and I'll fuse it with top 40.
Some people think Wheeler's gotten crazy in his later years, but he's always been crazy.
My father had lived in the States in the 1960s for a while and came to love American Songbook material. Even today, he sometimes recognizes singers that I never even heard of, which is beautiful and inspiring.
[Dean Martin ] had this really wonderful rich, authentic, distinct vocal style. His humour in movies [and] the self-deprecation and the coolness he had could overshadow what a marvellous vocalist in the Great American Songbook he is.
This site uses cookies to ensure you get the best experience. More info...
Got it!