A Quote by Ashley McBryde

I was lucky to grow up in the '90s, when we had just as many strong female artists as male artists. That's a world I would like to live in again. — © Ashley McBryde
I was lucky to grow up in the '90s, when we had just as many strong female artists as male artists. That's a world I would like to live in again.
I came at a time where male artists where dominating, so I had to do something quick to get people's attention. I wanted to let people know that women artists can hold their own compare to the men. Sex got their attention, while I open the road for the other female artists.
It's hardly even noticeable that so many artists, designers and architects live here. It isn't reflected in the cityscape or in the museums. Many of the artists, for example, exhibit around the world, just not in Berlin.
There are female artists I can look at that I find more in common with than the male artists, because they're blending the pop, dance and theatricality... but currently there aren't a lot of guys who go there.
Some artists are happy doing the same thing again and again, but my favorite artists are the ones who evolve and grow, and I want to be one of them.
Not to name names, but a lot of pop female artists you see, they don't write their own songs. Lot of top male artists and boy band artists, they don't write their own songs. They're just a product. They sell, they sell, they sell. They don't care about musical integrity, any of that kind of stuff.
We've had real strong aboriginal male artists who've crossed over to the mainstream who have toured the U.K., who have been a massive influence on myself and many, many communities around Australia.
I think the defect actually lies with male artists. Male artists often border on idiocy, while it's important for a woman not to be that way, if possible. Women are outstanding in science, just as good as men.
I've watched so many women, from Kathleen Hanna all the way up to Taylor Swift, whether they're pop artists or rock stars or fine artists or writers, it is the subhistory of female artists that if you're going to make art, you're also going to have a full-time job of defending your right to make art.
We throw at female artists this expectation that their work has to speak to the female experience. And if it doesn't, you're letting the side down. Throwing this stumbling block in the way of female artists is counterintuitive.
I grew up loving artists like the Spice Girls and Britney Spears - artists who seemed to live this fantasy lifestyle, and I remember always wanting to join these fantasy people in that world.
If you look at the charts, there's not a lot of male artists and for whatever reason, female artists sell a lot more records and get played a lot more on the radio.
I like the idea of the museum world and the university-academic situation where artists talk to each other or where artists or art students study with artists.
In the UK and the US especially you've got a lot of throwaway artists who have their 40 million dancers and they do their show. There's many artists who would not do a live show because they know they can't.
I collaborate with Tidal because they're for the artists - the up and coming artists and the O.G.s in the game. It's like a home, the only place we have for the artists to find support.
The biggest thing is education for young chefs and how they should focus on one cuisine rather than trying to imitate too many. It's like art - you can see the cycles from many past artists and new artists being inspired by past artists.
In ancient times, people weren't just male or female, but one of three types: male/male, male/female, female/female. In other words, each person was made out of the components of two people. Everyone was happy with this arrangement and never really gave it much a thought. But then God took a knife and cut everybody in half, right down the middle. So after that the world was divided just into male and female, the upshot being that people spend their time running around trying to locate their missing other half.
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