A Quote by Ashley McBryde
If you can sing to a room of 60 people who don't give a damn, then if, someday, you're playing to people who really want to hear your music, that's not hard.
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I don't give a damn what queers do, and don't give a damn what Christians do. Just get the hell out of my way because I want to live my life and I don't want the government sucking 60% of my wages off my ass.
I like playing at public schools. I like when there's more of a diverse audience. I'll play wherever people want to hear my music, and I'll be glad and grateful for the opportunity, but I'd rather not play for a bunch of white privileged kids. I'm not meaning that in a disrespectful way; you go where people want to hear your music. So if that's where people want to hear me play, I'm glad to play for them. But I'd rather play for an audience where half of them were not into it than one where all of them were pretending to be into it, for fear of being uncultured.
The group-effort sound in recording of Sea Lion is like, you really hear all the people in the room and hear them interlocking. Theres a real freight-train energy of all these people at the same time playing.
The group-effort sound in recording of 'Sea Lion' is like, you really hear all the people in the room and hear them interlocking. There's a real freight-train energy of all these people at the same time playing.
Consumers don't give a damn about what device they're playing on. They just want to play it everywhere. They want to be playing on the console and then take it off to the bus.
It's just all love. That's what music is. That's why music is created. To make people feel good, to uplift people. That's what musicians are for: to give everyone an escape, to let everyone feel good and take people out of everyday problems, so that they can hear music and sing words that are hopefully relatable.
What the media is playing is what people want is really a false idea. Capitalism and people who control the market have a large hand in everything. It doesn't have anything to do with figuring out what the crowd wants to hear. It has to do with the media deciding what they think people want to hear.
You give out the words and then sing them. You give out the words, you know, and the people can hear what you're giving out, and they sing that song or that line and they do the same thing again.
I don't accept 'political rapper' because I don't give a damn about either political party. I give a damn about the people. My rap comes from a sociological standpoint rather than picking a particular side or dogma or ideology. I just want people to be free to do what they want, as long as they don't harm others.
People don't give a damn about you and they don't give a damn about your story and they don't give a damn about your content. They only give a damn that you, your content, your story can bring value to them.
I've written arrangements for choirs and strings in the past, but I usually write music with my voice or a keyboard and then I'll get someone who is good at writing scores to write it out. Or, if I have the luxury of time, I will go in a room and hear the people perform and then change it through what I hear, not on paper. I can read music OK, but I probably rebelled a little - music changes into something else when you read it.
Playing in those bars where people really don't care about your music really gives you an appreciation for when you get to a concert, and people are singing your original music - it's been a great journey, but I definitely didn't have an interest in music as a kid until I was a teenager.
One day, you’re 17 and you’re planning for someday. And then quietly, without you ever really noticing, someday is today. And then someday is yesterday. And this is your life.
I have to remind myself constantly that people actually want to hear the music I've made; that's hard for me to digest. I think a live audience is the only tangible evidence you can have that your work is making an impact. It's really humbling.
The way I look at music, what I'm interested in is not necessarily creativity - in many ways I think creativity is overrated, actually. What I think is important is authenticity. I want to hear music that has the resonance of the people. I want to hear music that is an amplification of them. Because then, I can experience the people. But because the music has become so institutionalized, everyone is learning and regurgitating the same material in the same way.
I don't know what happens when people die
Can't seem to grasp it as hard as I try
It's like a song I can hear playing right in my ear
That I can't sing
I can't help listening
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