A Quote by Ashley McBryde

In my musically formative years, I grew up listening to Suzy Bogguss, Trisha Yearwood, Terri Clark. — © Ashley McBryde
In my musically formative years, I grew up listening to Suzy Bogguss, Trisha Yearwood, Terri Clark.
I'm just trying to be the next Trisha Yearwood.
I'd do a really good job playing Trisha Yearwood.
Around 14, I was turned on to Shania, Reba, Merle Haggard, Garth Brooks, Trisha Yearwood... and I've followed it ever since.
I actually started singing country music at 4 years old, right when I started learning how to sing. I would cover a lot of Martina McBride, LeAnn Rimes, Trisha Yearwood, that kind of stuff, and it just feels very authentic to me. It's always been there through the years. Even when I was in my band, I still listened to country.
I did this thing with Trisha Yearwood, a song called 'The Price.' I had been sitting on it for a while, because I figured, you know, this really needs a good singer.
Everything I ever needed came out of a radio and a dashboard. My Mount Rushmore of what was cool came out of a radio - Trisha Yearwood, Patty Loveless, Mark Chesnutt.
I grew up in Louisiana and spent my formative years there. There's a contradictory nature to the place and a sort of sinister quality underneath it all.
I can be a woodsman if need be. I grew up very close to some forest, and I spent a lot of my formative years up and down trees, fooling around in the woods. I'm no stranger to that sort of landscape.
I just coach the way I was coached when I was young, in my formative years. I grew up under demanding people, that demanded things from you, expected you to toe the mark.
In Toronto, I grew up taking a subway, I grew up taking a bus. I spent my formative adult years in New York City, walking the streets, taking the subway. You're connected to the larger whole. L.A. is so spread out, and you're so incubated inside those cars and it's so exhausting to deal with the traffic, without really having the human contact.
I grew up listening to pop; I grew up listening to '60s pop music, the Beatles, the Monkees, Herman's Hermits and all that stuff. So I had a very strong background of listening to great pop music.
I would say I grew up listening a lot to Barbra Streisand and Judy Garland and Joan Baez and Joni Mitchell. I grew up listening to those because my parents were kind of into folk music.
I grew up watching his movies; I know everyone did, but I really feel that a lot of my formative years were informed by Woody Allen films.
I grew up in predominantly black neighborhoods and went to predominantly black schools. And hip-hop is what I grew up listening to in my teenage years. Basically I'm just being myself.
You're always looking at last year, or 10 years ago, or your school days, or your teenage years, your formative years. Because that's exactly what they are, they're your formative years.
We were teens in the Eighties, and that's the kind of music that we all grew up on. When you're in those really formative years, from, like, 13 to 19, what you listen to is so influential, and I think that's just part of our being now.
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