A Quote by Ashley Monroe

The core of me is country. It's what I love. It's what I write. Even when I sing pop stuff, I'm still singing it 'countrily.' — © Ashley Monroe
The core of me is country. It's what I love. It's what I write. Even when I sing pop stuff, I'm still singing it 'countrily.'
I love to sing big rock and roll songs; I love to sing country-pop stuff, and then I love to sing soft, sadder beautiful songs.
I actually started singing country music at 4 years old, right when I started learning how to sing. I would cover a lot of Martina McBride, LeAnn Rimes, Trisha Yearwood, that kind of stuff, and it just feels very authentic to me. It's always been there through the years. Even when I was in my band, I still listened to country.
I think it's important to be able to write stuff that's personal to you and stuff that you'll really be able to understand what you're singing about and be able to truly sing it. Because if you're singing a song that someone's written for you and you really can't relate to it, it's hard to sing that song.
I sing. I used to think singing is going to be the route, and I still sing to this day. I still try to write lyrics.
I like to write pop songs and the stuff I write is fairly poppy, so I thought maybe my lot in life was to write pop songs for people. It never felt right writing songs for other people to sing, though.
I listened to a battery radio, old country and pop stuff. Because I was singing all the time, my dad bought me a $7.50 guitar.
I love to sing and play the piano. As a child, I've always loved to sing my heart out, and even my teachers encouraged me to take up singing.
When you sing on stage, the songs are part of the narrative, but in 'Unconditional Love,' it was just singing for singing's sake. It was playing at being pop star. As a young boy growing up in North Wales, that was my fantasy.
When I started it still wasn't okay to be this age and still make this kind of music. And believe me, I consider our stuff to be much poppier than - we're not on like cutting edge, that kind of thing anymore. And even though we're not doing Britney Spears music or Nsync, it's still what I consider to be pop music. So that does give you a little bit more longevity, I guess. But if somebody told me I'd be getting up there and singing "Heartbreaker" at fifty I'd laugh. So I don't know, I have no idea.
When I sing a pop song, I'm a pop singer. When I sing a country song, I'm a country singer. I've been very lucky to cross over, because by doing that, you can't be pigeonholed.
I grew up only singing country. I did listen to like Debbie Gibson and other pop music, but I would only sing country music.
I wrote poetry, which got me into lyrics. Stevie Wonder, Carole King, Elton John pulled me into pop. I started singing with a band - just for fun - when I was 17. And pretty soon, I was thinking I could sing pop in English as well as Spanish.
Right now I'm singing along to books on tape. I typically pop in something like Stephen King's 'The Stand,' and I love singing along to that kind of stuff.
I usually sing a lot on my mixtapes. I sing a lot on songs that just really aren't singles. Even my first single, 'My Last,' which I feel like is more pop than anything - I was originally singing the chorus on there. I'm used to that. I've always had fresh melodies.
I just really need to sing and sing and sing and not worry about writing. Just by singing for pleasure, your voice takes you to what it wants to sing. And that is how the best stuff kind of emerges.
I dream about singing. I would love to sing and write.
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